To be fair, I didn't just waste the weekend. I did organize my stock of existing product to get some idea of what I need to make. There is a batch of half-done tiny pocket journals, and I will have to do a batch of Japanese-binding jewellery. And I came up with an idea for new product. One of the things I've been wanting to do is make greeting cards from my illustrations, but I haven't had any I liked well enough to use. But now (you'll see if you read on) I have a couple of images I like. So next time I'm in Truro or Halifax, I'll visit Staples for some of those pre-cut greeting cards that are made especially for inkjet printing on. My large-format Canon photoprinter does really nice prints, so that end is covered. I'm also going to do magnets. I just have to decide how many of each thing I'll be likely to sell, because I'm short enough on funds that I don't want to buy more supplies than I actually need.
I've mentioned ATCs before--that is, Artist Trading Cards. They're little trading card sized piece of art that you trade with other artists. Or you can sell them, in which case they're called ACEOs (Art Cards Editions and Originals). I made one a little while ago to trade with a fellow Etsy Steam Team member.
Leonardo's Clockwork Scarab was made in a hand-coloured edition of 15, two of which stay home (one for me and one for BillyZ), two are on sale at Etsy and ArtFire, one has gone to CreativeEtching, one will go to a trader partner in . . . Sweden, I think, and 9 are left to trade.
Doktor Valentine's Discombobulation Ray was an experiment in markers, which I'm not so good at. A last minute application of pencil crayon highlights saved the image, and it'll become magnets to sell at the fair, and later online. I haven't put it up for trade yet, as I'm rather fond of it, but if the magnets turn out well, I'll either sell the original on Etsy, or make it available for trade.
Aeryn Daring in Sepia was a less-successful experiment with sepia drawing ink. I'm not fond of how it bled, though fortunately it's really only noticeable up close. I also don't like how the paper texture is so visible--guess I'll have to buy the good watercolour paper soon. Otherwise, it turned out OK, and it's up for trades. I may do magnets from this one, but I haven't decided yet.
Valkyrie I'm very pleased with. It was an attempt to get away from the over-detailing I tend to do in inks, and just use a simple outline with basic washes. I think it's successful for what it is, and it will become greeting cards. Maybe magnets, too. I've entered her in a couple of mythology-themed ATC contests, and when those are over I may put her up for sale on Etsy. If the greeting cards turn out well.
The Fox & the Grapes illustrates an Aesop's fable and was an attempt to get myself to use more dynamic perspective. It's actually a detail from a larger image that has more vines and leaves and the rest of the fox's tail--I'll probably go back now and do the whole thing on a postcard. This is another one that will be greeting cards (and maybe magnets). I'm hanging on to it for a while, but will probably sell or trade it eventually.
We've had more spring birds showing up, despite the recent snow, but that's a post for later. Right now I have a big stew to make.
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