Writing Wednesday: A Week Already?

Wow. That week went by fast, and I managed not to post any non-writing posts, too. Sorry about that. I even have non-writing things to talk about. Soon, really.

So in writing news, on a long drive home one day I realized that "Brother Thomas's Angel" is not finished yet. It needs at least another long part, this time narrated by the angel. I know most of what needs to happen, and I've almost got the angel's voice down. But I have not managed to write any of it yet. Still, today/tomorrow's to do list is almost all crossed off, so I hope to make a really good start on that in the morning, if I don't get to it tonight (fading fast now, though, and thinking about bed with a book and then zzzzz).

I also heard the latest on the Amazon Breakthrough Novel Award late yesterday, and The Secret Common-Wealth didn't make it to the next round. Oddly, it's kind of a relief. I have other plans for it that I can now carry on with.

And finally, as I write this "Three Variations on 'Sleeping Beauty'"--a mini-collection of three short fairy tales that together barely equal the word count of a hefty short story--is processing at Smashwords and awaiting approval in the Kindle store. The iBookstore will follow eventually. I'll post links here next week, probably.

Oh, and speaking of iBookstore, "Come-From-Away" and "Burnt Offerings" are both available there now, with "Hollow Bones" to follow shortly. I don't have a direct link, but go to iBooks on your device, and search for "Silvester" in the iBookstore and they'll come up at the top.

And one final thing--really--I have an official Niko-Silvester-the-writer page on Facebook now. If you go and "like" it, I'll be posting free story coupons soonish. I'd like to offer free stories in exchange for a review on Smashwords or wherever.

Tentacle and Carapace

"Tentacle and Carapace: a letterpress printed calendar of sea creatures" is my hand-printed calendar for 2011. I'm so glad I had it finished before the Halifax Crafters fair this year, as I sold quite a few (last year I only had a few pages done of my flying machines calendar and though I had them on display, I couldn't actually sell any).

All of the names of the months are printed from vintage wood type in the collection of the Dawson Printshop at NSCAD, where I still do most of my printing.

The days of the week and dates of each month are printed from polymer plates. The type is Eccentric, with Cochin for the subtitle on the front.

The sea creatures were also printed from polymer plates, made from my own drawings. (If you read this blog much, or follow me on Twitter or on Facebook, you may remember me writing about working on them.)

If you'd like to purchase a copy of the calendar, you'll find it on Etsy and ArtFire, or you can email me at anagramforink at gmail dot com.

Holiday Card 2010 Sketch (Fox!)

I'm planning to drive into Halifax several days next in the next couple of weeks to print at the Dawson Printshop, as I may (or may not) have a small print job. To make it worth the trip, and to get myself to stop being so lazy, I need to get my own work ready to go and print at the same time. Which means I need to get my files for polymer plates sent to film by the end of the week.

I have two holiday card ideas: the fox below and one with a squid and a pulp magazine theme, which I may or may not be able to pull off.

Now I have to figure out the exact proportions and boundaries of the card, and decide on colours. I'm thinking black, red and something very transparent and almost colourless (possibly a blue). The tongue should really be pink, but I'm not sure I want to do a whole separate press run for that. I usually try to keep multi-colour cards to three colours for the sake of economy. Two is even better.

I'm also starting to plan my 2011 letterpress calendar. It would be nice to have it finished in time for the Halifax Crafters sale this year (assuming I go). Last year I had a couple of pages done and took pre-orders and emails, but I think I could have sold a lot more if I'd had them done and on the table. It'll be similar to last year's, and I may even re-use the same wood type and number plates, but I'll use different colours and images, and maybe even a different proportion for the pages.

So what I'm thinking is cephalopods (that is, octopus, squid, cuttlefish, nautilus) OR rayguns. They'll be my own drawings this time, instead of vintage images. Anyone out there have any preference? Or a better idea? Someone on Facebook suggested cephalopods with rayguns, which I like, but it might be a bit over the top.

Wednesday Wishlist: Winged Scarab Necklace

Unfortunately, today's wishlist item was sold some time ago, but I love it so much I just had to feature it anyway. Behold the Winged Scarab Necklace in Copper by Clockwork Crow.


You'll find Clockwork Crow's Etsy shop full of other lovely adornments in copper, silver, brass and found objects. The airship pendant is also very, very nice, and would have been my pick for the wishlist if the scarab wasn't so stunning. You can also find Clockwork Crow on Facebook.

Updating and All That

Man, I really need to get my ass in gear. About the only thing I've been keeping up with is my deviantArt page. And Facebook. Evil, evil Facebook.

I ran across the very spiffy blog of an old friend (and ex-boyfriend) Tim Rast, and it looks like he's doing really well. I started making books around the same time as he started flintknapping, and his business is so far ahead of mine it's . . . um, I don't want to say "it's not even funny" but I can't think of a better phrase at the moment. I really need to do some real writing. I'm out of practice. Anyway, he always was way more focused than me. I've often wondered where I'd be now if I weren't so easily distracted. But whatever. Go look at his blog and be amazed. Fine work, that.

And it occurs to me that I really haven't been keeping those of my friends and family that still happen by here very up to date, and the whole purpose of this blog was to let everyone (mostly those of you far far away) know what I was up to. That and make a public record of my writing and art so I'd be shamed into working hard. I'm not sure that's worked.

That said, here are some updates, starting from now and working backwards. More or less.

Okay, actually starting from the future, because the first thing I'm going to write about is tomorrow. Tomorrow, I'm off to work in the studio of my former teacher and mentor, Joe Landry. I've been helping out off and on for a big government project called "Democracy 250" which is a celebration of 250 years of democracy in Nova Scotia. To commemorate the event, they put together a big volume of reproductions of documents relating to the history of democracy in the province. And I do mean big. If I remember, I'll write down the dimensions tomorrow, but it's something in the range of 12 inches by 18 inches. Maybe? I'm not very good at estimating measurements. And about an inch and a half thick or thereabouts. So big. And heavy.

I'm not sure who did the compiling and note-making and design and all that for the book, but the 12 copies (plus one extra "proof" copy) were all printed by Image House using special water-based inkjet inks. The scanning is top-notch and the printing looks fantastic. Okay, it would look better if it was letterpress, but I'm a little biased. Inkjet printing always has that slight fuzziness around the edges where the ink seeps into the paper. I think the technical term is "dot gain" but I could be confusing my jargon. Anyway.

The paper was handmade by Papeterie Saint-Armand in Montreal. It's based on their Old Masters line (one of my favorite lightweight papers for both intaglio and letterpress), but it was actually made especially for this project, because the paper needed to be a little more opaque than their usual.

Once the printing was done, the sheets came to us. We had to fold and collate (actually, I missed out on most of that since at the time I was madly trying to finish Dawson Printshop jobs before they shut us down). Then we had to trim them to size, which only meant slicing off a little from three sides on the board cutter. Then collating again, because we were paranoid about something being out of order, which happened in the proof copy due to a printer error. Then I spent a rather long time poking the sewing holes. Then sewing.

I'm afraid I'm getting a little tedious here, and I wasn't even going to go into this much detail. But it's too late now.

Because the books were so large, we had to sew them on a sewing frame. It's just too hard to handle big books with six million tapes (actually, I think there were maybe seven tapes) without the support of a frame. I ended up doing almost all of the sewing, but I got to use Joe's conservation frame, which is designed to make it a whole lot easier to get your arm around the uprights and the text block than a conventional frame, which hasn't changed much since Victorian times. If I were any good at woodworking, I'd make up plans and build my own. It's not a complicated design. Alas, I make books, not tools. If I could make it out of eska board, it would be no problem.

After the sewing, Joe rounded and backed them all and began lining the spines. Joe did all the rounding and backing because he can do it at lightspeed. It would probably have taken me as long to do one as it took him to do six. Or more. After that, Chris (Dunnett) and I sewed the endbands. We used a three-colour pattern, which requires one to have three hands. Or so it seems. Luckily, endbands is something I'm actually pretty good at, so I managed with just the two hands I've got.

After that, Joe glued on the false bands and I cut and sanded them into a nice curve. Then I disappeared into some other work for a while and Chris stained the leather. Joe did the paring--each book took a whole calfskin, and each calfskin costs several hundred dollars. While my paring skills have improved considerably, there's no way I was going to put a knife to those skins.

Again, I was off doing something else when the books were covered and sprinkled. The binding style is Cambridge Panel Binding (click on that and you'll see a photo--the different tones in the leather are achieved by sprinkling more or less or no dye on different parts of the book). Today, Joe was planning to finish up the gold tooling.

Which is a really long-winded way of coming around to what I'm doing tomorrow. I'll be lining the insides of the boards with thin card to fill in the area not covered by the turn-ins of the cover leather. That way, you won't see the usual ridge when the endpapers are put down. Once the boards are all lined, then we'll put down the endpapers. After that, we've got to finish the boxes, as each very expensive book is being housed in its own protective box. The boxes are all done, but they need to be built up inside to custom-fit each book and lined with soft felt. Then they need to dry. I think the goal is to get the bulk of the work done by the end of Friday, so things can dry over the weekend. Then they'll take the books away Monday. Then we can get paid. Which, since the Dawson Printshop is closed and I'm out a job, is a very welcome thing indeed.

Because, of course, this is the month the car insurance is due. And the month I'm supposed to start repaying my student loans (if I believed in god, I'd be thanking him for interest relief right now). Also, there's next month's car payment, and the house insurance (or, rather, the tenant's insurace), credit card bills, etc etc etc. So getting paid is good.

But now I've gone on much longer that I intended and I didn't even include any pictures. So I'll stop now. But I think I'll immediately post again with some images of new work.

More and More

It's Saturday and I'm being lazy. Again. I haven't slept well all week so I have this nagging too-tired headache and huge bags under my eyes. Aaaah! Zombie girl! Oh, wait, that's just me in the mirror.

Yeah, yeah. Whine. Oh poor me. Actually things are good. I wasn't completely lazy today. I did quick Photoshop work on some comic pages and uploaded them. So now Faerie or Bust is going to update daily until March 20. It seemed a little silly to only update weekly when it's several years old and was a 24-hour comic in the first place.

What else? Aeryn Daring updates tomorrow, assuming I get around to uploading the pages today. That's next on the list. I made a Facebook group for Aeryn Daring, but didn't invite anyone to join as a sort of experiment. It's here. Eventually I'll make one for Fey, too. Assuming this one goes well.

Umm . . . Posted the first three Fey covers on my DeviantArt page. Decided I need to teach myself how to make art using nothing but Photoshop after reading The Phoenix Requiem, a very lovely webcomic. Been reading a lot of webcomics in the last while. Trying to get ideas for promoting my own stuff. Also, there is some really, really fantastic storytelling out there for free. A lot of it I would happily pay for in print form.

Anyway, I think I am now just procrastinating and should get the next Aeryn Daring page ready to go before the boy gets home and distracts me. I'm not so hard to distract, after all. (Not that he does it intentionally. He's very good about leaving me alone when I'm busy.)

Oh yeah, we went to see Under the Sea in IMAX 3D. It was fantastic! (Even with Jim Carrey narrating--you hardly noticed it was him.) If you like ocean things, you must must must see this movie.

Oh Yeah

Forgot to mention: If you don't have Facebook but still want to see the pics from Sunday's cycling, there's a slightly different selection of them on my Flickr stream (link to the right, under "Visit Me").

Today is a day to Not Do Very Much

It's one of those days where I either should have just gone to work (I had a choice between today and tomorrow and didn't sleep much last night so decided to work tomorrow when I might be better rested) or stayed in bed. I managed to pour my after-lunch cup of tea on the table, my feet, and six pages of comics artwork. Fortunately, the art isn't completely ruined, just a tad wrinkled and tea-stained on the edges. Still, it was just one more thing on a day when I was already feeling a bit down.

So I've decided I just won't do very much today. Fuck trying to get something done. I tried that, and ended up with soggy art. So I added some photos to Facebook, and I'll write some in this blog. Maybe later I'll do some work blogging and start organizing the content for a "video games based on movies" article. Or maybe I won't. Maybe I'll fire up the PS3 and lay some ghosts to rest, or shoot some bugs, or kill a few infidels, or tear up a racetrack. And maybe I'll go to the post office, which is sort of like getting something done, only it's to mail some BookMooch books, so not really. Or maybe I'll go buy a video game I can review for work, which is also sort of like getting something done, but also not really.

Anyway. On the Finishing Half-Read Books Project, I got to the end of Lost Discoveries a couple of days ago, and have been making good progress on Women and the Book. No more new finds of half-read things, though I think I might be partway through a book on Zen that's around somewhere.

And just so you don't think crappy days are the norm around here, Sunday was a very fine day. The boy and I cycled around Halifax, stopping at the Public Gardens, the waterfront, and Point Pleasant Park before retiring to the humble abode for giant hamburgers. I got a horrific sunburn which is just becoming bearable today, but it was a great day anyway. I put some photos up on Facebook, and here's one of me on the beach (after I put on a long-sleeved shirt even though it was too late for my shoulders):



Photo by the boy, of course (who I have decided should be called "Billy Z" (the "Z" being pronounced "Zee") (I haven't informed him of this yet). And speaking of the boy, here he is:



(I call it "Blue Boy.")

And Another

Yep, I'm on a roll. I finished Gothic Illuminated Manuscripts yesterday, but then found yet another half-read book on the shelves. This time it's Black Water 2, a short story anthology edited by Alberto Manguel. Really, really great stories, but the book is massively huge. I tend to read short stories in cycles: sometimes I'll burn through masses of them, and other times I don't read any. I've been on a non-short-story-reading phase for quite a while now, so this book has sat on the shelf, page marked about halfway through its 1000+ pages.

In non-book news, today I've rented a U-Haul cargo van so we can help move a corner-cutting machine from my boss/teacher Joe's basement to the Dawson Printshop and collect a couple of free chests of drawers and a massive worktable/corner desk. I'll have to post a few pictures--this apartment is starting to look like an actual home. You can see photos of what it looked like when the boy moved in on my Facebook page (they're in the album called"Cellphone Photoshoot 3 - Moving Day(s)"). Mind you, the furniture is still all second-hand--and a lot of it was free--but well-placed pieces of fabric can do a lot for crappy furniture.

What's Nikoniconiknevernikki Been Up To?

School: I've really only had three days of school so far, since I only have classes twice a week (not counting my internship), but it already seems like ages. Intaglio is already intense and exciting and I have too many projects in mind to get them all done. But that's good. I'm starting with a multiplate bookwork with sea creatures and steam. I'll also have to get started on a singleplate/multicolour print. Possibly with a Jules Verne submarine. Sometime before Friday, which means tomorrow after work, I have to photocopy the readings for art history and then read some of them. Or at least go to the library and read them. The class is Narrative and Craft and the teacher is really good (I had her for Craft and Design History).

Internship: Technically, I suppose this could fall under "School," but whatever. I'm working with Joe Landry, who teaches bookarts at NSCAD, has his own bookbinding and conservation business, and currently co-manages the Dawson Printshop. I'll be doing some gold tooling (and also blind tooling) and at some point making a Byzantine binding (complete with brass clasps), but for now I'm building boxes for Joe to have as models for clients and lectures. Lots and lots of different styles of boxes in which one can put books and other delicate things to protect them. I'll probably also be working on some product samples for the printshop at some point.

Work: psp.about.com continues as usual with me not having as much time as I'd like to play/review games. Sigh. Work at the Dawson Printshop so far has been a lot of tidying and organizing while we wait for the fittings and furnishings to be done and installed, at which point we can actually get some things printed. Tomorrow I'll be climbing a ladder to paint a giant wall grey and a tall pillar red. You should see the height of the ceilings in this place!

Social life: What? Nik has a social life? Well, sort of. See I met someone, and he's rather kept me occupied on weekends:



(Incidentally, I'm trying to teach myself to colour balance in Photoshop using curves instead of levels, as they are supposed to be much more powerful. You can judge my success, or lack thereof, from the previous photo. Yeah, I need to work on it more. Probably could also tweak the contrast a bit more.). Movies, wine, talking, etc. Lots of talking, actually, which will probably surprise some of you. Really, I do talk when I've got something to say and someone interesting to say them to. If you really want to, you can see more photos of what I've been doing on Facebook (link in left column), but I currently have my photos viewable only by friends, so you'd have to join and then add me as a friend. Alternatively, I might consider making my photos public. Maybe.

Winter 08 Schedule

Unless, things change, which they very well might, my schedule for this semester will look something like this:

Monday

• day off for doing homework

Tuesday

• 9am - 12:30pm (ish) work at Dawson Printshop
• 1pm - 5:30pm Intermediate Intaglio

Wednesday

• internship at Leaf by Leaf

Thursday

• 9am - ? work at Dawson Printshop
• ? - 5pm (ish) internship at Dawson Printshop

Friday

• 9am - 11am Narrative and Craft (art history)
• 1pm - 5:30pm Intermediate Intaglio

Saturday

• more or less free for homework and social life (hey, I sort of have one now)
• possibly some more internship hours at Leaf by Leaf in the afternoon

Sunday

• homework, social life, sleep, etc

So, busy, but not unmanageable. There may also be more work hours at the Dawson Printshop if I seem to be keeping up with coursework and internship hours all right.

And, in other news, if you don't have a Facebook page and want to see various odds and ends of photos I've been posting (summer road trips, pets, cute boys, odds and ends), um . . . you'll just have to get Facebook. I might post a few things here, and art stuff will eventually end up on deviantART (I've started bringing prints home, and hope to get around to photographing them soon), but most of the odd stuff will end up on Facebook, visible only to my Facebook friends. If you don't know how to get on Facebook, I suggest asking the nearest 12-or-13-year-old girl.