Inktober Fish

In an effort to climb out of this creative slump I've fallen into (well, a slump by my standards, anyway), I'm doing Inktober, where you draw an ink drawing every day in October. You can follow my efforts on Instagram and/or Twittter if you want to (I'm anagramforink on both), but so far I've mostly done simple things (especially my two for the 2nd and 3rd days, when I got home after work too sleepy to accomplish much).

Anyway, yesterday I drew a fish I was rather happy with, though I could tell it needed more to really make it a finished drawing. Here it is, in green ink with touches of violet and silver ink, drawn with a brush (well, two brushes -- one for lines and one for washes) on watercolour paper.

This is not any particular sort of fish, just something out of my brain, that developed as I was looking at a little print of a flying fish by Charles van Sandwyk that I have on my wall next to my desk (I'd kind of like to be CvS when I grow up...). The head ornaments are loosely anglerfish-inspired, and the fins might have come from a fancy goldfish.

This afternoon I decided to scan it for a better image than the one I posted last night on Instagram, and then, well, I couldn't resist dropping it into Photoshop to play with. I knew I wanted to keep anything else I did to it subtle, so to start I just plopped in an old foxed book paper texture, then made the texture on the fish itself less opaque, which gave me this

Even this little bit of work makes it look more finished, though I still have niggling thoughts about adding some other little touch. Bubbles, maybe? Then I thought how much fun it would be to have this fish on a coffee mug, so I made a version I can use on deviantArt (where you'll find me as feynico) and other places that do POD mugs, with a white background (I might take out the signature glyph, but I also kind of like it).

In this case, I made the paper texture 100% opacity on the fish to show up better. I'm half thinking I might add some muted reds and oranges to the scales, but I'm not sure...

Busy, Busy

(This is the second time I've written this post, and I'm stuffed up and groggy, so it's going to be even shorter than the first time (damn you, Blogger for iOS, for dumping my post when I switched to Safari to look up a URL) (yes, I should have saved a draft first, but I really shouldn't have to) (also typing while annoyed) (and too many parentheticals) (I need more cold medication).)

What was I saying? Oh yeah. Busy with craft fair stuff, teaching, and sick, so not posting much until a few weeks hence. There was more detail and better sentence structure, but my ears are starting to ring, which means I need to rest, so I'll leave it at that. Here's a picture of some of what's keeping me busy:

Oh, and this is for the Halifax Crafters spring market, the first weekend of April, at the Olympic Centre. If you're in Halifax, stop by. There's no admission fee, but there is food and chocolate and cool crafts.

Crow Snow Angel and Ice Eagle

I start teaching my Introduction to Letterpress class today, so all I have for you this week is a couple more photos of bird-realted things. Maybe I'll remember to take some pictures of my class this time around, and share them here.

Here's a thing I call a "crow angel," which is a snow angel made by a crow landing. Other birds make them too, of course, but the crow ones are the easiest to photograph (not that this is the best photo). This was in my front yard, near where I put seeds out every morning.

And here's a very very blurry image shot out the window of a moving 18-wheeler on the Pictou causeway. In case you can't tell, it's a bald eagle on the ice. It was really far away, so I couldn't tell what it was doing. Eating, probably.

Birds

We get plenty of visitors to our house, year round, because I put out seeds every morning, and I try to keep a suet feeder filled in the winter (once the squirrels discover it, it empties fast). Here are a few of the most recent birds, from the past week.

A female Downy Woodpecker. These little birds are not shy about telling me when the feeder is empty or someone else is eating from it. They're quite talkative.

A couple of shots of Dark-Eyed Juncos. There are juncos where I lived in BC, too, but they had brown bodies and black heads, instead of the solid slate grey that NS birds have. Either way, they're terribly cute. These guys won't eat from a feeder, but are happy to take seeds from the ground, and really like it when the jays get into the suet, because they drop a lot on the ground.

For a few minutes, a male Hairy Woodpecker condescended to share the suet with a Blue Jay. It didn't last long, though, before the woodpecker chased the jay away. They're pretty close in size, but our jays tend to be a bit skittish, and even the Mourning Doves can chase them off.

Paper Moths

I had been thinking, a while back, about combining letterpress printing and die-cutting to create some paper moth specimens. Something like the ones I made from leftover proofs of my book moths intaglio prints (sorry, no photos of those to hand at the moment), but more three-dimensional. I'm still planning to do that, but it occurred to me the other day that I could also make three dimensional moth specimens out of my handmade paper.

So I tried it. If you follow me on Twitter or Instagram (@anagramforink on both), or are a friend on my personal Facebook account, you may have seen a photo of the first attempt. For the past couple of days, I've been making a cheap dollar store shadow box look nice to put it in, staining, adding a hanging wire, and lining it. I still have to find a small brass latch, but today I've been trying to decide what colour paper to line the box with.

I've narrowed it down to five more-or-less neutral papers. Royal blue looked nice, as did burgundy, but the rich colours, I thought, drew too much attention to themselves. Here are the five finalists (apologies for the less than stellar photos -- I took these with my iPad in poor lighting). Any opinions are welcome.

White:

Black:

Grey faux parchment:

Deep grey:

Deep brown:

Some of the papers aren't lying flat, but they will once they're pasted in, so please ignore that. I won't mention which one(s) I'm most inclined towards yet, as if like to see what people think.

And I will be making more of these, and they will be for sale. This is, I hope, just the beginning. Which means I'm going to need to make more paper...

Snowy Owl

Some folks have expressed interest in the processes I use for various things that I make, so I thought this week I'd go through how I made my latest die-cut card, step by step. If you follow me on Twitter (@anagramforink), or have friended me on Facebook, you may have already seen some of what's in this post.

Everything starts with an idea, naturally, and the snowy owl popped into my head as a result of the stories I keep seeing about how this winter snowy owls have been migrating farther south than usual, showing up even as far down as New Jersey. We have snowy owls here in Nova Scotia, but I've never seen one (nor even heard one, as they are not very vocal, unlike our other local owls).

So, with images of owls popping up in my social media feeds, I started to get ideas about how I could make an owl card. First, I looked at lots of pictures, trying to figure out pose and angle. Then, once I'd decided I wanted a flying bird, I found some more specific reference images, and started to draw. Since I knew I wanted the card to be more or less symmetrical, I concentrated on one half of the owl, because I could use Photoshop to create the other half. 

When I had a sketch I was happy with, I firmed up the lines with a black pen, and then erased most of the pencil lines.

Next, I scanned the image, copied, pasted and reversed the half I'd drawn to make a complete owl, and cleaned up the lines. I used the fill tool to fill in the outline, creating a solid black shape. This makes it easier for my cutter software to create a file to cut from.

I saved the image as a tiff, and imported it into the cutter software, traced, resized, and started test cuts. Sometimes I get a usable design on the first go -- usually if it's something simple. More complex designs require more tests, especially if there are lots of small pieces to cut out, as there are on this owl. Once something gets too small, the cutting blade can't pivot quickly enough. In the case of the owl, I had to make the bars on the feathers larger.

I also wanted to try a simple silhouette version.

None of the initial designs was quite right, so I tried again. I'd already decided on the black background, though I used the blue and green again in my tests, since I had already folded the card. The moon was a whim, added as a way to bring out the eyes by having something else yellow in the image.

A few more tweaks, and I have the final design. I could play with it some more, but I know myself well enough to know that sometimes I have to say "good enough" or I'll just keep fiddling forever.

In a day or so, I'll cut out a whole bunch of these, and then start assembly. They're sized to fit a standard (#10) business sized envelope, and I'm out of plastic sleeves that size, so I'll have to order more before I can sell these. I'll have to get more envelopes, too.

(Apologies for the terrible photos. The first and last were shot just now, with my iPad, and the Blogger app doesn't work very well with the iPad's camera. Some really weird things happening with framing. The other two images I took earlier, still using the iPad camera, but from within the native camera app, so at least they're framed better.)

Jackalope

I'm feeling wintery, so here's a jackalope in the snow.

Pay-What-You-Want Jewellery and Original Art (or Commission Me!)

For all the info you need to take part is this rare and unusual giant sale of pretty much all my work, please see this post.

Copper Printing Plate Jewellery
These pieces are all hand cut with a jeweller's saw out of recycled copper intaglio plates from my own designs. Most of the skulls are about an inch wide or a wee bit more, so you can kind of judge the size from there. If you need more photos or info, just ask. The feathers are cut from a fairly light copper plate, while the others are much heavier (I don't know the gauge but I can try to figure it out if you need to know).

Usually these retail for $30 for feathers and $35 for skulls. The two scarabs are $75 and $95. I almost never mark them down, so you have a chance to get them as cheap as you'd like.

As shown, the copper is starting to age and tarnish a little. It's really easy to brighten it up to a super shine, or you can let it age and take on different hues as it gets older. I can spray on a clear matte finish if you like, but usually I just put a little renaissance wax on.

Here's what they are (click the image to make it bigger):
1. finch feather
2. white tail deer
3.great horned owl
4. pileated woodpecker
5. mountain goat
6. peacock feather
7. scarab beetle
8. fancy spiral scarab
9. red fox
10. bottlenose dolphin
11. snowshoe hare
12. american badger
13. domestic cat
14. north american porcupine
15. striped skunk
16. harbour seal
17. platypus
18. horse
19. black bear

Miniature Book Jewellery

Yes, these really are tiny books with actual turnable pages. The larger books are just over an inch tall, so that should give you an idea of their size. They retail for $20 for a Japanese stab-stitch necklace, $25 for Japanese earrings or European leather-and-marbled-paper hardcover necklace, and $35 for European-style earrings. Again, I almost never put these on sale, so now's your chance. (They make good gifts!)

European-style earrings (click the image to make it bigger):

European-style pendants (click the image to make it bigger):

Japanese-style earrings (click the image to make it bigger):

Japanese-style pendants (click the image to make it bigger):

Original Art

I don't have a whole lot of original art sitting around, that isn't in the form of prints or books, but I do have a couple of things. If I happen across more, I'll add it, but I think this is really it at the moment. I can however, do something new just for you, but see below for that.

This piece was made to go on the cover of my YA novel A Madness of Kentaurs, hence the centaur on it. Shipping on it could be higher than on the prints, because it's cut/torn paper adhered to fairly heavy card and can't be rolled. It measures 12 by 15 inches.

Then there's this little raven skull pen & ink with watercolour. It's 4 by 6 inches on watercolour paper and was going to be the first of a series showing a raven skull from various angles. I'll finish the series eventually. I'm tempted to just keep it, but...

Commission Me (or Otherwise Hire Me)

I'm not offering commissions on a pay-what-you-want basis, but if you ask for something now I'll charge less than I usually would. Plus I hardly ever offer to do commissions (I'm always open to being asked, I just rarely have time what with all my own projects).

Aside from various sorts of illustration, I also do digital re-touch and custom letterpress, as well as editing of both fiction and non-fiction. If you have something in mind, get in touch, and we'll see about agreeing on a cost and a timeframe. For this kind of job, I will require partial payment up front, with the balance due when the job is completed.

Card Sale

If you've managed to read this far, I have one more thing to add to this sale. Again, it's not pay-what-want, and I'm too headachey right now to post pictures, but all of my die-cut and letterpress cards -- normally selling for $6 or 5 for $25 -- will be 5 for $20 if you buy them directly from me. I'm not sure how long I'll keep them on sale. Maybe a week or two. I'll see about posting images of what I currently have in stock later on so anyone who doesn't know my work can see what I have.

Finally, if there was something you were hoping to see but didn't, please leave a comment or send me an email (anagramforink at gmail) -- I might have missed a few things.

Natural History Sketches: Skunk

One night after teaching letterpress in Halifax I was driving home on our rural highway and had to stop and let a skunk (Mephitis mephitis -- striped skunk) cross the road. It's not uncommon for skunks to be out in the dark hours (porcupines and raccoons are also very common, so I tend to drive slower than most people do in the dark on that road).

What was interesting, though, it that this particular skunk has such wide stripes that it was more white than black. It was so pale I even wondered if my "knowledge" that skunks don't change colour in the winter might be wrong.

Well, skunks don't change colour (like hares do), but it turns out it's actually not that unusual for striped skunks to be nearly white. A quite look through Google images showed that while the usual black and white pattern was the most common, a lot of skunks have stripes either thicker or narrower than the norm, so they vary from nearly all white to nearly all black. There's also a fairly rare paler colour phase in which the usually black parts of the animal are a pale brown.

Anyway, the next day I attempted to remember what I saw well enough to sketch it.

Image © Niko Silvester. Please do not use without permission. Thanks!

Natural History Sketches: Shrew and Mouse

I live in a rural area in a somewhat unfinished house that hasn't been maintained as well as it might have been. Consequently, we have mice in the walls. They're actually quite lovely little creatures: deer mice (Peromyscus maniculatus). They're also native to Nova Scotia, so I feel a bit bad setting traps for them, even when they get cheeky enough to watch me from the top of a bookcase.

Every now and then my cat, who never goes outside, will catch one. Usually somewhere in the still-dark hours of the early morning. Then she lets them go in the bedroom, which has a sill on the door, so they run around and around the room while she chases them. Eventually she gets bored and they escape, or they go into shock so I have to scoop them up in the morning and release them into the woods. Every now and then she actually kills one.

(I know, I am a monster for not intervening. But at three a.m. I am pretty much a zombie and capable only of groaning and burying my head under the pillow.)

Once, I discovered the tiny body in the morning and instead of a mouse, it was a shrew (probably a masked shrew, Sorex cinereus). I still don't know how it ended up inside, because as far as I can tell, shrews are not usually house-dwellers. I can only guess that perhaps it got lost in the tunnels under the snow (there was a lot of snow on the ground at the time) and followed a mouse hole, or the dryer vent, into the house. Only to be captured by a housecat.

Shrews, if you're not up on your mammalian classification, are not rodents (which, of course, mice are). Though they do resemble mice somewhat, they're actually more closely related to moles. Masked shrews are very, very tiny. Even smaller than deer mice. Sadly, this dead little beast is the only shrew I've actually seen (though I did spy a living vole -- a mouse-like rodent -- a couple of times in one of our rock walls).

Image © Niko Silvester. Please do not use without permission. Thanks!

Natural History Sketches: Squirrels

You can tell what I think of these drawings in the comment I wrote next to them. Oh well. One of the points of keeping this journal is to get more drawing practice, which will -- I certainly hope -- help me improve.

North American Red Squirrel (Tamiasciurus hudsonicus)

These little guys are almost unbearably cute, but they're also accomplished thieves. Unless you buy special (rather pricey) bird feeders, they'll steal all the seeds. Fortunately, they're not too bad most of the year, and most of our birds aren't bothered by them (and we only have two regulars). I once saw a crow chase a red squirrel away when it got too close.They do get very gluttonous in the winter when they're stockpiling, and they'll leave the seed pile with their cheeks stuffed so full their heads look two or three times normal size.

In some parts of Canada, red squirrels have been driven out by invasive grey squirrels, but that hasn't happened here in NS (at least, not yet).

All images © Niko Silvester. Please don't use them without permission. Thanks!

Corvus corax Sketch

Yesterday's entry in my new, giant natural history journal was the usual weather report and list of beasties in the yard. We had a new visitor, though: a raven.

Although we have a lot of ravens in the area, the closest they usually get to the yard is flying high overhead. For a few weeks in the fall they would gather in the evening in the woods just beyond out property line -- I could hear them gossiping and saw them fly over, but that was it.

But yesterday one stopped by to check out the seeds I put out and stayed long enough to pick some of them out of the snow with her enormous beak. She didn't stay long, though, because our resident crows, which are much, much more skittish than city crows, saw me watching from the window and flew off in a flurry of wings. That made the raven nervous enough to fly away, though she hadn't seemed concerned herself that I was watching.

This sketch isn't from life. I ran to get my camera, but when I came back was when the crows decided to cause a fuss, so I didn't manage a photo. Instead, I found a picture online that matched more or less the raven I saw. It's a pretty rough, quick sketch, but I think I succeeded in capturing, at least a little bit, the range of textures in the bird's feathers.

And, as promised, here's what the book looked like in its original  installation. Not very good photographs, I'm afraid, but I hope you get the idea.

Looking Back, Peering Ahead

One of last year's beginning-of-the-year goals was to blog more regularly. I did okay with that, up until mid-year, when everything fell apart. In fact, that's about when my fiction-writing goals evaporated, too. I'm not even sure why. Possibly I was just trying to do too much at once, as usual, and got overwhelmed.

But even though I didn't really meet many of my 2012 goals, I can't really call the year a failure, either. Here are some of the things I accomplished in 2012:

• I wrote three novels, a short story, and a novella. I was aiming for four novels and ten or twelve short pieces, so I didn't meet the goal. But still, three novels! Two of them still need editing and transcribing, but the bulk is done.
• I printed some new letterpress and linocut pieces, finished up a few bookbinding projects, and came up with a new notebook product (at the last minute for the holiday craft fair!) that I'm really pleased with. Again, I didn't meet my goal of finishing up all in-progress projects before starting new ones, but I did get a few things off my worktable.
• I spent more time walking in the woods. Though I didn't get in as much exercise-oriented walking as I wanted to, I renewed my love of simply wandering and seeing what there is to see. As a consequence, I felt renewed and refreshed creatively, even though my writing production crashed halfway through the year.
• I changed jobs. Sort of. Though I really loved my job writing about videogames for About.com, I've been wanting to get back into something more writing or fiction or book oriented for a few years. I've applied for a few other About sites, and even made it to the evaluation stage once (the process of getting hired at About is fairly long and involves writing a lot of samples, but it's worth it). Finally, this fall, I made the switch to writing about books, and I'm now the "Guide" to Young Adult Books. I'm still editing the videogames super-newsletter, though, so I get to keep up on that stuff, too.

Those are the biggest accomplishments, I think. So on to my goals for 2013.

• I'm going to attempt, again, to blog more regularly. I've just installed Blogger for iOS on my iPad, which I hope will help with that, since I've been doing more and more work on my tablet since I got it. My two pen-name author blogs will probably only get infrequent updates still, but this blog, and my bone blog should start seeing some more posts.
• Again, I'm going to aim to finish more in-progress projects. I have plans to do a lot more linocut prints this year -- there's the Vanishing Bestiary to work on, and a triptych of fossil-inspired prints, and I just had a request to make my winter raven card design into a larger art print. I have some bookbinding things to finish up, too. First off, though, is to get those dragon pop-ups done and sent off to my IndieGoGo backers.
• I'm going to focus on getting my fiction writing and publishing activities back on track. This means transcribing and editing Familiar (book 3 in the Others series by alter-ego Nic Silver), and adding needed scenes and editing Dark Stranger (sequel to Milk Sister). Also, I'm going to get the full Aeryn Daring and the Scientific Detective novel formatted and available as an ebook and POD paperback (by alter ego Calliope Strange). As far as writing, I'll be finishing Reindeer Girl, and tackling the next Nic Silver novel. After that, I'm not sure, but I have a list of ideas to choose from.

Of course, I can't start a new year without a few brand new projects. This year, I have two big ones in mind.

• First, a non-fiction project. I won't say too much yet, because I'm still mulling it over, and it's the sort of thing I have a specific publisher in mind for, and if they don't want it, I probably won't make it a priority. It'll tie together my folklore background and my current writing-about-YA-books in a scholarly sort of book. This month, I'll be working on a proposal and sample chapter.
• Second, an artistic and natural history project. This is one I've been thinking about for a while, but always put off because it seemed most logical to begin it at the beginning of the year. So starting a little later today, I'm going to use a great big notebook I made for an unrelated art project and start keeping a natural history journal. So as not to be overwhelmed, I'm not going to try to force myself to write every day, though it would be cool if I managed it. I'll just write down observations and make little sketches of the world outside my door as the year goes by.

And now I think I've probably blathered on enough for one day.

The Vanishing Bestiary 1: Dodo

Friday afternoon I started on the test illustration I mentioned last post that I wanted to do, to see if I could get enough detail in linocut for the illustrations for The Vanishing Bestiary. By the time I went to bed, I had a good start on the drawing, and by Saturday afternoon I had something I was happy with (if you follow me on Twitter or Facebook, you may have seen this first image already):

Next, I needed to transfer it to the linoleum, which I did with good old-fashioned carbon paper (I believe it's still possible to buy it at Staples, but I have an ancient box that somebody gave me many, many years ago). I actually began by scanning the drawing, flipping it in Photoshop (since I wanted the final image to be facing left, like the original drawing), and printing it full-size on my laser printer. Then I used the printout and the carbon paper for the transfer. Finally, I went over it again on the linoleum with a hard pencil. The lines from the carbon paper are pretty stable, but I wanted to make sure I had all the details and smoothed all the lines, as it's very easy to get confused when cutting lino.

Above is the traced-over scan, the carbon paper (look closely and you can see where the transfer process left the image of the dodo in the carbon), and the lino. At this point, I had only gone over the head with pencil; the rest is still just the carbon transfer.

Cutting this image was easier than usual in a way. I didn't have to think too hard about what to cut and what to leave, because skeletons are white, so I could just sort of draw the skeleton with my cuts, if that makes any sense. Of course, I did have to remember to leave lines between elements, and there was a lot of small detail, so it was not at all easy in other ways. The final task was to cut out the silhouette of the animal, since I don't want any lino residue printing around it. I may or may not cut a second plate to make some sort of background in another colour, but for now it'll just be simple.

For the first proof, I used some water-based block printing ink I had kicking around, and immediately regretted it. I remember now why I hate the stuff. It was pretty much drying as I rolled it on, and it refused to go on at all evenly. And to top it all off, it pulled some of the newsprint off the proof (you can see it stuck to the tail in the image above). So then I used some rather aged rubber-based ink, and had problems with that as well, for reasons I haven't determined--possibly it was just too close to being dry, with too much oil leached out. Finally I pulled out a tin of truly ancient, but still very good, proofing ink I inherited when I was helping clean out the Dawson Printshop. It may be older than I am, but it still spreads like warm buttercream icing. The proofs I made weren't perfect (for one, I didn't clean up the rubber-based ink thoroughly enough, and for two, flat areas are hard to print well on my little tabletop proof press).

All in all, I'm very pleased. I hope to get some time before teaching on Wednesday to print a small edition (as prints, not for the final book, which I'll do once I have all the images cut and figure out what size to make the pages). I'll pop them in my Etsy shop for sale, too. Oh, and I think I'm going to make myself a t-shirt with this one.

Pondering The Vanishing Bestiary

I love bestiaries, and I've been wanting to make one for ages. So slowly this idea has been taking shape in my brain, for a bestiary of vanished species. It will be letterpress printed, with minimal text (but what text there is hand-set in metal type), and illustrated either from polymer plates or linocuts. I'll probably go with lino, but I'll have to do a test illustration to make sure it'll work.

As I said, the pictures will be of vanished species--I'm thinking beasts that went extinct directly, or at least largely, due to human interference. And the images will be skeletons, because I like bones. I may do just the skeleton, or I may include the body of the animal (perhaps just as an outline). That's one of the things that hasn't quite formed in my head yet, but which test illustrations will help with. (Apologies for the mangled sentence structure there.)

So my next step is to decide on a possible list of species to include--dodo, thylacine, quagga . . . if anyone has suggestions, feel free to post them. And I need to decide on a size, so I can start on a test image. After that, I have to figure out paper, typeface, binding style . . .

Way back at the beginning of the year (which looks so far past on the calendar, which feels like such a brief time), I said I wasn't going to start any major new projects until I'd crossed a bunch of half-done things off my list. And while I haven't really finished as many things as I'd like, this isn't really a new project. It's been percolating in my brain for over a year now.

I also had thought of doing a similar project that would be a suite of intaglio prints rather than a book. And it would be just skulls, each one life-size on the copper plate. That's something I may revisit at some point, when I actually have some way to make and print intaglio again.

Anyway, no pictures yet, alas. But I may start on that sample image this weekend.

Calligrapha multipunctata

Calligrapha multipunctata. If that's not one of the coolest Latin binomials there is, then I'm no judge of cool. (Okay, probably I'm not much of a judge of cool, anyway, but never mind.)

Anyway. I came across this little fellow (or lass) on the way back from the mailbox. I might never have spotted him if he hand't been on his back, flashing his quite reddish wings in order to right himself. Against the beige and grey of the gravel road, he stood out quite a lot. He's just under a centimetre long--maybe 7 or 8mm.

I'm not absolutely certain of the species identification, since I didn't find him on his host plant. It could also be C. philadelphica, which is very similar. Most of this genera is very closely associated with a plant species--willow in the case of C. multipunctata, dogwood for C. philadelphica. Of course, I could go back down the road and do a survey of trees. I'm pretty sure there are willows nearby, and not so sure about dogwood.

At first I thought I was looking at a non-red species of ladybird, but the fabulous online Bug Guide set me straight. Still, identifying insects is hard, even when it seems to be something pretty different, though I guess you get better once you know what to look for.

A Couple More Frogs

This will probably be the last frog-related post for a while (though I can't promise anything), but I wanted to post pictures of the finished card and print, as well as an in-progress shot of the cut on my little proof press.

Spring Peepers Card

Here's the finished card, printed in green ink on handmade recycled cotton rag printmaking paper. I plan to do some on cattail paper later on, assuming I can salvage the half-made pulp that's fermenting on my picnic table.

I like the green, but the next ones will probably be brown or black. And spring peepers aren't really green, anyway.

Spring Peepers Print

I also did these little frogs as a print, on the same paper, in the same ink. Because the cuts are actually two separate pieces, I could move them around.

As you can see, though, I really liked the configuration I put them in on the card, because even though I wasn't looking at that when I set up the print, they ended up in almost the same places, just farther apart. Ah, well.

In-Progress

Here are the plates on my little table-top proof press, inked up and ready for the paper.

My press is type-high, so to print unmounted lino, I have a piece of 3/4 inch plywood on the bed, then newsprint and mylar to keep things clean (unmounted cuts tend to pick up ink on the back, and mylar is easy to wipe clean). Then the lino goes down, then the paper. On top of that I put another sheet of newsprint, then a press blanket cut from an old wool blanket (like an army blanket, but it's pinkish instead of grey), then two sheets of eska board (bookbinder's board). That gives a nice deep impression on the handmade paper, and if I need to, I can adjust it by changing the amount of board and paper.

Spring Brings Out the Peepers

Here's something I'm working on:

Two little wee linocuts that I'll print on handmade paper tomorrow. I originally planned to print them on cattail paper, but I'm pretty sure I won't have time to make any more paper by the weekend, so I'll print them on some odds and ends of recycled and the last of the last batch of goldenrod paper. I'm thinking of printing them in bright green ink, even though Spring Peepers are usually more brown. Green just seems more springy.

And I finished printing the goldenrod lino today, so tomorrow I'll fold and package the cards. It's on goldenrod paper, of course.

And here's a terrible photo of one of the latest batch of blank books. I'll take better photos of whichever ones are left after the craft fair and get them up on Etsy. I made ten in various colours and configurations, and have one left from the last batch.