Prints are available on my deviantArt site, and will soon (probably) be up on Redbubble and Society6 too.
Also, I will be starting up Stamp Saturday again soon. I'm very excited to finally have time to play with all those materials I bought.
Showing posts with label deviantART. Show all posts
Showing posts with label deviantART. Show all posts
03 January 2015
Satyrday
Because I haven't posted anything in a while, here are some satyrs.
Prints are available on my deviantArt site, and will soon (probably) be up on Redbubble and Society6 too.
Also, I will be starting up Stamp Saturday again soon. I'm very excited to finally have time to play with all those materials I bought.
Prints are available on my deviantArt site, and will soon (probably) be up on Redbubble and Society6 too.
Also, I will be starting up Stamp Saturday again soon. I'm very excited to finally have time to play with all those materials I bought.
05 October 2014
Inktober Fish
In an effort to climb out of this creative slump I've fallen into (well, a slump by my standards, anyway), I'm doing Inktober, where you draw an ink drawing every day in October. You can follow my efforts on Instagram and/or Twittter if you want to (I'm anagramforink on both), but so far I've mostly done simple things (especially my two for the 2nd and 3rd days, when I got home after work too sleepy to accomplish much).
Anyway, yesterday I drew a fish I was rather happy with, though I could tell it needed more to really make it a finished drawing. Here it is, in green ink with touches of violet and silver ink, drawn with a brush (well, two brushes -- one for lines and one for washes) on watercolour paper.
This is not any particular sort of fish, just something out of my brain, that developed as I was looking at a little print of a flying fish by Charles van Sandwyk that I have on my wall next to my desk (I'd kind of like to be CvS when I grow up...). The head ornaments are loosely anglerfish-inspired, and the fins might have come from a fancy goldfish.
This afternoon I decided to scan it for a better image than the one I posted last night on Instagram, and then, well, I couldn't resist dropping it into Photoshop to play with. I knew I wanted to keep anything else I did to it subtle, so to start I just plopped in an old foxed book paper texture, then made the texture on the fish itself less opaque, which gave me this
Anyway, yesterday I drew a fish I was rather happy with, though I could tell it needed more to really make it a finished drawing. Here it is, in green ink with touches of violet and silver ink, drawn with a brush (well, two brushes -- one for lines and one for washes) on watercolour paper.
This is not any particular sort of fish, just something out of my brain, that developed as I was looking at a little print of a flying fish by Charles van Sandwyk that I have on my wall next to my desk (I'd kind of like to be CvS when I grow up...). The head ornaments are loosely anglerfish-inspired, and the fins might have come from a fancy goldfish.
This afternoon I decided to scan it for a better image than the one I posted last night on Instagram, and then, well, I couldn't resist dropping it into Photoshop to play with. I knew I wanted to keep anything else I did to it subtle, so to start I just plopped in an old foxed book paper texture, then made the texture on the fish itself less opaque, which gave me this
Even this little bit of work makes it look more finished, though I still have niggling thoughts about adding some other little touch. Bubbles, maybe? Then I thought how much fun it would be to have this fish on a coffee mug, so I made a version I can use on deviantArt (where you'll find me as feynico) and other places that do POD mugs, with a white background (I might take out the signature glyph, but I also kind of like it).
In this case, I made the paper texture 100% opacity on the fish to show up better. I'm half thinking I might add some muted reds and oranges to the scales, but I'm not sure...
03 March 2010
Wednesday Wishlist: Steampunk Heart
Monster Kookies makes wonderfully fantastic anatomically correct heart pendants. Like this one:
They're sculpted in polymer clay, painted and embellished. I love how this one looks like clockwork. Others look like little scientific heart models, and one even looks like wood.
You can find these very cool hearts at the Monster Kookies Etsy shop, along with zombie cupcakes, clockwork birds and other cute-creepy things. Go look, it's fun. You can also find Monster Kookies work on deviantArt.
They're sculpted in polymer clay, painted and embellished. I love how this one looks like clockwork. Others look like little scientific heart models, and one even looks like wood.
You can find these very cool hearts at the Monster Kookies Etsy shop, along with zombie cupcakes, clockwork birds and other cute-creepy things. Go look, it's fun. You can also find Monster Kookies work on deviantArt.
12 August 2009
Testing, Testing
One of the people whose work I follow on deviantART posted something today that got me thinking about Livejournal again. I haven't posted on Livejournal in ages. So I've decided to see if I can get both Livejournal and Blogger set up so that my Blogger Blog posts automatically show up on Livejournal. This here's the test to see if I got all the setting right.
Next, I'll see what I can do with MySpace.
Next, I'll see what I can do with MySpace.
05 August 2009
Oh, Wait . . .
In all my blathering the other day about the terrible state of my finances and the fact that I might not get the Handmade News job after all (oh, poor me), I completely forgot: my editor at Handmade News (or the woman who will be my editor) is in New Zealand. This means me being in Canada shouldn't be any sort of problem at all. I just have to get the right bits of paper to fill out. Yay!
And today's mail brought my paycheque from About PSP, which means I can pay a few bills and things without having to get out the old VISA. The coolest thing about said paycheque is that, because About, Inc. is owned by the New York Times Company, the envelope is New York Times letterhead. So it looks like I write for the NYTimes, which is pretty darn cool.
And also in today's mail, I got the last part of my print order from deviantART. A while back they had a sale where members could order prints of their own stuff for the same price as Premium Print Account members do, which is more-or-less at cost. I was curious to see what the quality was, so I could decide if I want to offer prints of my stuff through dA. They ship different items separately, even though they only charge a single shipping fee, so I've been getting bits and pieces of my order every week or so. The two images I chose are my two digital illustration pieces (the only ones I had enabled as prints at the time).
I ordered postcards, small magnets and a small print of each one. The magnets arrived first, closely followed by the postcards. Then the 8 x 10 photoprint of "After Hokusai" (above). I couldn't get anything much larger, because the resolution of the original isn't high enough.
For "Orpheus and Eurydice" (above), I ordered an art print, matte on paper. It's 12 x 18 inches, which I think is the smallest I could get. That's the one that arrived today, and it looks fantastic. Woo hoo! I have to say, though, my very favourites of the things I ordered are the magnets. Now I have fridge magnets of my art! Just like I was a famous dead person whose work is cannibalized to raise money for art museums. Okay, it's nothing like that, but they are really, really cool. At some point, I'll order copies of the things I've since enabled as prints, to make sure they look good, too, but first I have to sell some stuff.
Oh, and on selling, the buyer for the last book I sold paid after I sent the invoice, so SteamBook 04 is on its way to Norway! I think I might get a world map and stick pins in it for eveywhere I've sold stuff. Or maybe I'll make a virtual one on my website, whenever I eventually get my website together. It would be cool if I could have one where you could click or mouseover a pin and an image of the item sold popped up. Yes, that would be cool. I wonder how I could make such a thing?
Links for prints: "After Hokusai: 37th View of Mt Fuji" here
"Orpheus and Eurydice, After Dulac" here
And today's mail brought my paycheque from About PSP, which means I can pay a few bills and things without having to get out the old VISA. The coolest thing about said paycheque is that, because About, Inc. is owned by the New York Times Company, the envelope is New York Times letterhead. So it looks like I write for the NYTimes, which is pretty darn cool.
And also in today's mail, I got the last part of my print order from deviantART. A while back they had a sale where members could order prints of their own stuff for the same price as Premium Print Account members do, which is more-or-less at cost. I was curious to see what the quality was, so I could decide if I want to offer prints of my stuff through dA. They ship different items separately, even though they only charge a single shipping fee, so I've been getting bits and pieces of my order every week or so. The two images I chose are my two digital illustration pieces (the only ones I had enabled as prints at the time).
I ordered postcards, small magnets and a small print of each one. The magnets arrived first, closely followed by the postcards. Then the 8 x 10 photoprint of "After Hokusai" (above). I couldn't get anything much larger, because the resolution of the original isn't high enough.
For "Orpheus and Eurydice" (above), I ordered an art print, matte on paper. It's 12 x 18 inches, which I think is the smallest I could get. That's the one that arrived today, and it looks fantastic. Woo hoo! I have to say, though, my very favourites of the things I ordered are the magnets. Now I have fridge magnets of my art! Just like I was a famous dead person whose work is cannibalized to raise money for art museums. Okay, it's nothing like that, but they are really, really cool. At some point, I'll order copies of the things I've since enabled as prints, to make sure they look good, too, but first I have to sell some stuff.
Oh, and on selling, the buyer for the last book I sold paid after I sent the invoice, so SteamBook 04 is on its way to Norway! I think I might get a world map and stick pins in it for eveywhere I've sold stuff. Or maybe I'll make a virtual one on my website, whenever I eventually get my website together. It would be cool if I could have one where you could click or mouseover a pin and an image of the item sold popped up. Yes, that would be cool. I wonder how I could make such a thing?
Links for prints: "After Hokusai: 37th View of Mt Fuji" here
"Orpheus and Eurydice, After Dulac" here
29 July 2009
Updating and All That
Man, I really need to get my ass in gear. About the only thing I've been keeping up with is my deviantArt page. And Facebook. Evil, evil Facebook.
I ran across the very spiffy blog of an old friend (and ex-boyfriend) Tim Rast, and it looks like he's doing really well. I started making books around the same time as he started flintknapping, and his business is so far ahead of mine it's . . . um, I don't want to say "it's not even funny" but I can't think of a better phrase at the moment. I really need to do some real writing. I'm out of practice. Anyway, he always was way more focused than me. I've often wondered where I'd be now if I weren't so easily distracted. But whatever. Go look at his blog and be amazed. Fine work, that.
And it occurs to me that I really haven't been keeping those of my friends and family that still happen by here very up to date, and the whole purpose of this blog was to let everyone (mostly those of you far far away) know what I was up to. That and make a public record of my writing and art so I'd be shamed into working hard. I'm not sure that's worked.
That said, here are some updates, starting from now and working backwards. More or less.
Okay, actually starting from the future, because the first thing I'm going to write about is tomorrow. Tomorrow, I'm off to work in the studio of my former teacher and mentor, Joe Landry. I've been helping out off and on for a big government project called "Democracy 250" which is a celebration of 250 years of democracy in Nova Scotia. To commemorate the event, they put together a big volume of reproductions of documents relating to the history of democracy in the province. And I do mean big. If I remember, I'll write down the dimensions tomorrow, but it's something in the range of 12 inches by 18 inches. Maybe? I'm not very good at estimating measurements. And about an inch and a half thick or thereabouts. So big. And heavy.
I'm not sure who did the compiling and note-making and design and all that for the book, but the 12 copies (plus one extra "proof" copy) were all printed by Image House using special water-based inkjet inks. The scanning is top-notch and the printing looks fantastic. Okay, it would look better if it was letterpress, but I'm a little biased. Inkjet printing always has that slight fuzziness around the edges where the ink seeps into the paper. I think the technical term is "dot gain" but I could be confusing my jargon. Anyway.
The paper was handmade by Papeterie Saint-Armand in Montreal. It's based on their Old Masters line (one of my favorite lightweight papers for both intaglio and letterpress), but it was actually made especially for this project, because the paper needed to be a little more opaque than their usual.
Once the printing was done, the sheets came to us. We had to fold and collate (actually, I missed out on most of that since at the time I was madly trying to finish Dawson Printshop jobs before they shut us down). Then we had to trim them to size, which only meant slicing off a little from three sides on the board cutter. Then collating again, because we were paranoid about something being out of order, which happened in the proof copy due to a printer error. Then I spent a rather long time poking the sewing holes. Then sewing.
I'm afraid I'm getting a little tedious here, and I wasn't even going to go into this much detail. But it's too late now.
Because the books were so large, we had to sew them on a sewing frame. It's just too hard to handle big books with six million tapes (actually, I think there were maybe seven tapes) without the support of a frame. I ended up doing almost all of the sewing, but I got to use Joe's conservation frame, which is designed to make it a whole lot easier to get your arm around the uprights and the text block than a conventional frame, which hasn't changed much since Victorian times. If I were any good at woodworking, I'd make up plans and build my own. It's not a complicated design. Alas, I make books, not tools. If I could make it out of eska board, it would be no problem.
After the sewing, Joe rounded and backed them all and began lining the spines. Joe did all the rounding and backing because he can do it at lightspeed. It would probably have taken me as long to do one as it took him to do six. Or more. After that, Chris (Dunnett) and I sewed the endbands. We used a three-colour pattern, which requires one to have three hands. Or so it seems. Luckily, endbands is something I'm actually pretty good at, so I managed with just the two hands I've got.
After that, Joe glued on the false bands and I cut and sanded them into a nice curve. Then I disappeared into some other work for a while and Chris stained the leather. Joe did the paring--each book took a whole calfskin, and each calfskin costs several hundred dollars. While my paring skills have improved considerably, there's no way I was going to put a knife to those skins.
Again, I was off doing something else when the books were covered and sprinkled. The binding style is Cambridge Panel Binding (click on that and you'll see a photo--the different tones in the leather are achieved by sprinkling more or less or no dye on different parts of the book). Today, Joe was planning to finish up the gold tooling.
Which is a really long-winded way of coming around to what I'm doing tomorrow. I'll be lining the insides of the boards with thin card to fill in the area not covered by the turn-ins of the cover leather. That way, you won't see the usual ridge when the endpapers are put down. Once the boards are all lined, then we'll put down the endpapers. After that, we've got to finish the boxes, as each very expensive book is being housed in its own protective box. The boxes are all done, but they need to be built up inside to custom-fit each book and lined with soft felt. Then they need to dry. I think the goal is to get the bulk of the work done by the end of Friday, so things can dry over the weekend. Then they'll take the books away Monday. Then we can get paid. Which, since the Dawson Printshop is closed and I'm out a job, is a very welcome thing indeed.
Because, of course, this is the month the car insurance is due. And the month I'm supposed to start repaying my student loans (if I believed in god, I'd be thanking him for interest relief right now). Also, there's next month's car payment, and the house insurance (or, rather, the tenant's insurace), credit card bills, etc etc etc. So getting paid is good.
But now I've gone on much longer that I intended and I didn't even include any pictures. So I'll stop now. But I think I'll immediately post again with some images of new work.
I ran across the very spiffy blog of an old friend (and ex-boyfriend) Tim Rast, and it looks like he's doing really well. I started making books around the same time as he started flintknapping, and his business is so far ahead of mine it's . . . um, I don't want to say "it's not even funny" but I can't think of a better phrase at the moment. I really need to do some real writing. I'm out of practice. Anyway, he always was way more focused than me. I've often wondered where I'd be now if I weren't so easily distracted. But whatever. Go look at his blog and be amazed. Fine work, that.
And it occurs to me that I really haven't been keeping those of my friends and family that still happen by here very up to date, and the whole purpose of this blog was to let everyone (mostly those of you far far away) know what I was up to. That and make a public record of my writing and art so I'd be shamed into working hard. I'm not sure that's worked.
That said, here are some updates, starting from now and working backwards. More or less.
Okay, actually starting from the future, because the first thing I'm going to write about is tomorrow. Tomorrow, I'm off to work in the studio of my former teacher and mentor, Joe Landry. I've been helping out off and on for a big government project called "Democracy 250" which is a celebration of 250 years of democracy in Nova Scotia. To commemorate the event, they put together a big volume of reproductions of documents relating to the history of democracy in the province. And I do mean big. If I remember, I'll write down the dimensions tomorrow, but it's something in the range of 12 inches by 18 inches. Maybe? I'm not very good at estimating measurements. And about an inch and a half thick or thereabouts. So big. And heavy.
I'm not sure who did the compiling and note-making and design and all that for the book, but the 12 copies (plus one extra "proof" copy) were all printed by Image House using special water-based inkjet inks. The scanning is top-notch and the printing looks fantastic. Okay, it would look better if it was letterpress, but I'm a little biased. Inkjet printing always has that slight fuzziness around the edges where the ink seeps into the paper. I think the technical term is "dot gain" but I could be confusing my jargon. Anyway.
The paper was handmade by Papeterie Saint-Armand in Montreal. It's based on their Old Masters line (one of my favorite lightweight papers for both intaglio and letterpress), but it was actually made especially for this project, because the paper needed to be a little more opaque than their usual.
Once the printing was done, the sheets came to us. We had to fold and collate (actually, I missed out on most of that since at the time I was madly trying to finish Dawson Printshop jobs before they shut us down). Then we had to trim them to size, which only meant slicing off a little from three sides on the board cutter. Then collating again, because we were paranoid about something being out of order, which happened in the proof copy due to a printer error. Then I spent a rather long time poking the sewing holes. Then sewing.
I'm afraid I'm getting a little tedious here, and I wasn't even going to go into this much detail. But it's too late now.
Because the books were so large, we had to sew them on a sewing frame. It's just too hard to handle big books with six million tapes (actually, I think there were maybe seven tapes) without the support of a frame. I ended up doing almost all of the sewing, but I got to use Joe's conservation frame, which is designed to make it a whole lot easier to get your arm around the uprights and the text block than a conventional frame, which hasn't changed much since Victorian times. If I were any good at woodworking, I'd make up plans and build my own. It's not a complicated design. Alas, I make books, not tools. If I could make it out of eska board, it would be no problem.
After the sewing, Joe rounded and backed them all and began lining the spines. Joe did all the rounding and backing because he can do it at lightspeed. It would probably have taken me as long to do one as it took him to do six. Or more. After that, Chris (Dunnett) and I sewed the endbands. We used a three-colour pattern, which requires one to have three hands. Or so it seems. Luckily, endbands is something I'm actually pretty good at, so I managed with just the two hands I've got.
After that, Joe glued on the false bands and I cut and sanded them into a nice curve. Then I disappeared into some other work for a while and Chris stained the leather. Joe did the paring--each book took a whole calfskin, and each calfskin costs several hundred dollars. While my paring skills have improved considerably, there's no way I was going to put a knife to those skins.
Again, I was off doing something else when the books were covered and sprinkled. The binding style is Cambridge Panel Binding (click on that and you'll see a photo--the different tones in the leather are achieved by sprinkling more or less or no dye on different parts of the book). Today, Joe was planning to finish up the gold tooling.
Which is a really long-winded way of coming around to what I'm doing tomorrow. I'll be lining the insides of the boards with thin card to fill in the area not covered by the turn-ins of the cover leather. That way, you won't see the usual ridge when the endpapers are put down. Once the boards are all lined, then we'll put down the endpapers. After that, we've got to finish the boxes, as each very expensive book is being housed in its own protective box. The boxes are all done, but they need to be built up inside to custom-fit each book and lined with soft felt. Then they need to dry. I think the goal is to get the bulk of the work done by the end of Friday, so things can dry over the weekend. Then they'll take the books away Monday. Then we can get paid. Which, since the Dawson Printshop is closed and I'm out a job, is a very welcome thing indeed.
Because, of course, this is the month the car insurance is due. And the month I'm supposed to start repaying my student loans (if I believed in god, I'd be thanking him for interest relief right now). Also, there's next month's car payment, and the house insurance (or, rather, the tenant's insurace), credit card bills, etc etc etc. So getting paid is good.
But now I've gone on much longer that I intended and I didn't even include any pictures. So I'll stop now. But I think I'll immediately post again with some images of new work.
30 June 2009
SteamBook - The Quartermaster's Accountbook
The Quartermaster's Accountbook is the first in a series of pocket-sized blank notebooks inspired by Neo-Victorian Retrofuturism (aka Steampunk).
With one of our "SteamBook" notebooks and a fountain pen (or any other writing instrument you prefer), you'll always have a place to record your voyages extraordinaires, whether you travel by airship, locomotive or paddle steamer (or by Penny Farthing, though I wouldn't recommend pedaling and writing at the same time).
This 3 1/2 by 2 3/4 inch blank book has about 80 blank natural "parchment" bond paper pages and a suede leather cover made from recycled garments. The leather is lined with japanese kozuke paper for stability and laminated on the front and back with wood veneer. The closure is a lovely rusty old key, carefully sprayed with matte varnish to keep the rust from rubbing off. The binding is cross-structure and sewn with sturdy linen thread.
It's perfectly sized for your pocket and hand made to exacting specifications for durability and stylishness. Why use a cheap store-bought notebook that will fall apart the first time an air kraken attacks, when you can use the same make of notebook scribbled madly in by Mad Doctor Sophia Shallowgrave herself?
Available now at Etsy and ArtFire. More pictures on those sites and on deviantART.
With one of our "SteamBook" notebooks and a fountain pen (or any other writing instrument you prefer), you'll always have a place to record your voyages extraordinaires, whether you travel by airship, locomotive or paddle steamer (or by Penny Farthing, though I wouldn't recommend pedaling and writing at the same time).
This 3 1/2 by 2 3/4 inch blank book has about 80 blank natural "parchment" bond paper pages and a suede leather cover made from recycled garments. The leather is lined with japanese kozuke paper for stability and laminated on the front and back with wood veneer. The closure is a lovely rusty old key, carefully sprayed with matte varnish to keep the rust from rubbing off. The binding is cross-structure and sewn with sturdy linen thread.
It's perfectly sized for your pocket and hand made to exacting specifications for durability and stylishness. Why use a cheap store-bought notebook that will fall apart the first time an air kraken attacks, when you can use the same make of notebook scribbled madly in by Mad Doctor Sophia Shallowgrave herself?
Available now at Etsy and ArtFire. More pictures on those sites and on deviantART.
28 February 2009
More and More
It's Saturday and I'm being lazy. Again. I haven't slept well all week so I have this nagging too-tired headache and huge bags under my eyes. Aaaah! Zombie girl! Oh, wait, that's just me in the mirror.
Yeah, yeah. Whine. Oh poor me. Actually things are good. I wasn't completely lazy today. I did quick Photoshop work on some comic pages and uploaded them. So now Faerie or Bust is going to update daily until March 20. It seemed a little silly to only update weekly when it's several years old and was a 24-hour comic in the first place.
What else? Aeryn Daring updates tomorrow, assuming I get around to uploading the pages today. That's next on the list. I made a Facebook group for Aeryn Daring, but didn't invite anyone to join as a sort of experiment. It's here. Eventually I'll make one for Fey, too. Assuming this one goes well.
Umm . . . Posted the first three Fey covers on my DeviantArt page. Decided I need to teach myself how to make art using nothing but Photoshop after reading The Phoenix Requiem, a very lovely webcomic. Been reading a lot of webcomics in the last while. Trying to get ideas for promoting my own stuff. Also, there is some really, really fantastic storytelling out there for free. A lot of it I would happily pay for in print form.
Anyway, I think I am now just procrastinating and should get the next Aeryn Daring page ready to go before the boy gets home and distracts me. I'm not so hard to distract, after all. (Not that he does it intentionally. He's very good about leaving me alone when I'm busy.)
Oh yeah, we went to see Under the Sea in IMAX 3D. It was fantastic! (Even with Jim Carrey narrating--you hardly noticed it was him.) If you like ocean things, you must must must see this movie.
Yeah, yeah. Whine. Oh poor me. Actually things are good. I wasn't completely lazy today. I did quick Photoshop work on some comic pages and uploaded them. So now Faerie or Bust is going to update daily until March 20. It seemed a little silly to only update weekly when it's several years old and was a 24-hour comic in the first place.
What else? Aeryn Daring updates tomorrow, assuming I get around to uploading the pages today. That's next on the list. I made a Facebook group for Aeryn Daring, but didn't invite anyone to join as a sort of experiment. It's here. Eventually I'll make one for Fey, too. Assuming this one goes well.
Umm . . . Posted the first three Fey covers on my DeviantArt page. Decided I need to teach myself how to make art using nothing but Photoshop after reading The Phoenix Requiem, a very lovely webcomic. Been reading a lot of webcomics in the last while. Trying to get ideas for promoting my own stuff. Also, there is some really, really fantastic storytelling out there for free. A lot of it I would happily pay for in print form.
Anyway, I think I am now just procrastinating and should get the next Aeryn Daring page ready to go before the boy gets home and distracts me. I'm not so hard to distract, after all. (Not that he does it intentionally. He's very good about leaving me alone when I'm busy.)
Oh yeah, we went to see Under the Sea in IMAX 3D. It was fantastic! (Even with Jim Carrey narrating--you hardly noticed it was him.) If you like ocean things, you must must must see this movie.
17 January 2009
Fey!
I'm finally getting around to posting comics online again, but I need a new scanner. My old one works just fine, but in an attempt to get the plug-in working with CS4, I discovered that I'm not sure it was ever working on this machine at all, and the drivers won't install. Not even the newest ones downloaded direct from Canon. Sigh.
So in the meantime, I'm moving Fey over to Webcomicsnation. You'll find all my stuff at http://www.webcomicsnation.com/feynico/ eventually. If you were hoping for new pages, sorry. For now I'm going to be reposting old pages once a week. When I get to the end of them, I'll hopefully have lots of new pages and a new scanner. I will finish this series eventually. I'm also working on a completely new series called The Fabulous Forays of Aeryn Daring. I'm very excited about it. But again, nothing until a new scanner.
The scanner I have my eye on in the Epson Perfection v700 Photo (or the v750-M Pro, except it costs significantly more). Yes, it's very pricey (and I just noticed the price is $100 more than it was when I looked a few weeks ago--I thought the prices on tech were supposed to go down, not up), and it can't even scan anything bigger than 8 1/2 x 11, but it *can* scan negatives all the way up to 8 x 10. I have a crapload of medium format and 4 x 5 negs I want to scan and work with digitally, at least to put them on deviantArt and create a digital portfolio. So. I'll be looking for ways of making a bit of extra cash so I can buy this thing, starting with finally getting some stuff up for sale on Etsy. You'll find me at http://www.etsy.com/shop.php?user_id=6315023, but there's nothing there yet. First, I have to organize and photograph and acquire a postal scale to figure out how much it will cost to mail things.
Anyway, more soon.
So in the meantime, I'm moving Fey over to Webcomicsnation. You'll find all my stuff at http://www.webcomicsnation.com/feynico/ eventually. If you were hoping for new pages, sorry. For now I'm going to be reposting old pages once a week. When I get to the end of them, I'll hopefully have lots of new pages and a new scanner. I will finish this series eventually. I'm also working on a completely new series called The Fabulous Forays of Aeryn Daring. I'm very excited about it. But again, nothing until a new scanner.
The scanner I have my eye on in the Epson Perfection v700 Photo (or the v750-M Pro, except it costs significantly more). Yes, it's very pricey (and I just noticed the price is $100 more than it was when I looked a few weeks ago--I thought the prices on tech were supposed to go down, not up), and it can't even scan anything bigger than 8 1/2 x 11, but it *can* scan negatives all the way up to 8 x 10. I have a crapload of medium format and 4 x 5 negs I want to scan and work with digitally, at least to put them on deviantArt and create a digital portfolio. So. I'll be looking for ways of making a bit of extra cash so I can buy this thing, starting with finally getting some stuff up for sale on Etsy. You'll find me at http://www.etsy.com/shop.php?user_id=6315023, but there's nothing there yet. First, I have to organize and photograph and acquire a postal scale to figure out how much it will cost to mail things.
Anyway, more soon.
08 January 2008
Winter 08 Schedule
Unless, things change, which they very well might, my schedule for this semester will look something like this:
Monday
Tuesday
Wednesday
Thursday
Friday
Saturday
Sunday
So, busy, but not unmanageable. There may also be more work hours at the Dawson Printshop if I seem to be keeping up with coursework and internship hours all right.
And, in other news, if you don't have a Facebook page and want to see various odds and ends of photos I've been posting (summer road trips, pets, cute boys, odds and ends), um . . . you'll just have to get Facebook. I might post a few things here, and art stuff will eventually end up on deviantART (I've started bringing prints home, and hope to get around to photographing them soon), but most of the odd stuff will end up on Facebook, visible only to my Facebook friends. If you don't know how to get on Facebook, I suggest asking the nearest 12-or-13-year-old girl.
Monday
- day off for doing homework
Tuesday
- 9am - 12:30pm (ish) work at Dawson Printshop
- 1pm - 5:30pm Intermediate Intaglio
Wednesday
- internship at Leaf by Leaf
Thursday
- 9am - ? work at Dawson Printshop
- ? - 5pm (ish) internship at Dawson Printshop
Friday
- 9am - 11am Narrative and Craft (art history)
- 1pm - 5:30pm Intermediate Intaglio
Saturday
- more or less free for homework and social life (hey, I sort of have one now)
- possibly some more internship hours at Leaf by Leaf in the afternoon
Sunday
- homework, social life, sleep, etc
So, busy, but not unmanageable. There may also be more work hours at the Dawson Printshop if I seem to be keeping up with coursework and internship hours all right.
And, in other news, if you don't have a Facebook page and want to see various odds and ends of photos I've been posting (summer road trips, pets, cute boys, odds and ends), um . . . you'll just have to get Facebook. I might post a few things here, and art stuff will eventually end up on deviantART (I've started bringing prints home, and hope to get around to photographing them soon), but most of the odd stuff will end up on Facebook, visible only to my Facebook friends. If you don't know how to get on Facebook, I suggest asking the nearest 12-or-13-year-old girl.
07 September 2007
deviantART
I added a link to my deviantART page in the sidebar. If you read this blog regularly, you'll have seen most of the things there (though I can think of at least one thing I put there that hasn't appeared here, plus I'll be adding more both old and new). It's all part of my plan to finally start getting some of my work out where people can see it, even if I'm not as good an artist yet as I'd like to be.
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