Natural History Sketches: Skunk

One night after teaching letterpress in Halifax I was driving home on our rural highway and had to stop and let a skunk (Mephitis mephitis -- striped skunk) cross the road. It's not uncommon for skunks to be out in the dark hours (porcupines and raccoons are also very common, so I tend to drive slower than most people do in the dark on that road).

What was interesting, though, it that this particular skunk has such wide stripes that it was more white than black. It was so pale I even wondered if my "knowledge" that skunks don't change colour in the winter might be wrong.

Well, skunks don't change colour (like hares do), but it turns out it's actually not that unusual for striped skunks to be nearly white. A quite look through Google images showed that while the usual black and white pattern was the most common, a lot of skunks have stripes either thicker or narrower than the norm, so they vary from nearly all white to nearly all black. There's also a fairly rare paler colour phase in which the usually black parts of the animal are a pale brown.

Anyway, the next day I attempted to remember what I saw well enough to sketch it.

Image © Niko Silvester. Please do not use without permission. Thanks!

Natural History Sketches: Shrew and Mouse

I live in a rural area in a somewhat unfinished house that hasn't been maintained as well as it might have been. Consequently, we have mice in the walls. They're actually quite lovely little creatures: deer mice (Peromyscus maniculatus). They're also native to Nova Scotia, so I feel a bit bad setting traps for them, even when they get cheeky enough to watch me from the top of a bookcase.

Every now and then my cat, who never goes outside, will catch one. Usually somewhere in the still-dark hours of the early morning. Then she lets them go in the bedroom, which has a sill on the door, so they run around and around the room while she chases them. Eventually she gets bored and they escape, or they go into shock so I have to scoop them up in the morning and release them into the woods. Every now and then she actually kills one.

(I know, I am a monster for not intervening. But at three a.m. I am pretty much a zombie and capable only of groaning and burying my head under the pillow.)

Once, I discovered the tiny body in the morning and instead of a mouse, it was a shrew (probably a masked shrew, Sorex cinereus). I still don't know how it ended up inside, because as far as I can tell, shrews are not usually house-dwellers. I can only guess that perhaps it got lost in the tunnels under the snow (there was a lot of snow on the ground at the time) and followed a mouse hole, or the dryer vent, into the house. Only to be captured by a housecat.

Shrews, if you're not up on your mammalian classification, are not rodents (which, of course, mice are). Though they do resemble mice somewhat, they're actually more closely related to moles. Masked shrews are very, very tiny. Even smaller than deer mice. Sadly, this dead little beast is the only shrew I've actually seen (though I did spy a living vole -- a mouse-like rodent -- a couple of times in one of our rock walls).

Image © Niko Silvester. Please do not use without permission. Thanks!

Natural History Sketches: Squirrels

You can tell what I think of these drawings in the comment I wrote next to them. Oh well. One of the points of keeping this journal is to get more drawing practice, which will -- I certainly hope -- help me improve.

North American Red Squirrel (Tamiasciurus hudsonicus)

These little guys are almost unbearably cute, but they're also accomplished thieves. Unless you buy special (rather pricey) bird feeders, they'll steal all the seeds. Fortunately, they're not too bad most of the year, and most of our birds aren't bothered by them (and we only have two regulars). I once saw a crow chase a red squirrel away when it got too close.They do get very gluttonous in the winter when they're stockpiling, and they'll leave the seed pile with their cheeks stuffed so full their heads look two or three times normal size.

In some parts of Canada, red squirrels have been driven out by invasive grey squirrels, but that hasn't happened here in NS (at least, not yet).

All images © Niko Silvester. Please don't use them without permission. Thanks!

Natural History Sketches: Pheasant

It seems it's been a while since I posted. I guess I'm not doing so well on my New Year's resolutions. Oh well. Here are some of the sketches from my big giant natural history notebook (which I also haven't been keeping up with as much as I'd like).

Pheasants (Ring-necked or Common Pheasant, Phasianus colchicus)

These lovely, big birds aren't native to Nova Scotia, and were actually introduced a number of times by people wanting to establish them as game birds. They're still relatively uncommon over a lot of the province, but somewhat common where I live. I've actually seen six or more birds, male and female, foraging together in the same field, but more often I'll see one on its own -- usually a male, as the females are much better camouflaged and therefore harder to spot.

There used to be one male that regularly came for the seeds we put out every day, but he hasn't been around for a year or two (or else he waits until no one's looking). Here he is in 2010.

All images © Niko Silvester. Please don't use them without permission. Thanks.

Corvus corax Sketch

Yesterday's entry in my new, giant natural history journal was the usual weather report and list of beasties in the yard. We had a new visitor, though: a raven.

Although we have a lot of ravens in the area, the closest they usually get to the yard is flying high overhead. For a few weeks in the fall they would gather in the evening in the woods just beyond out property line -- I could hear them gossiping and saw them fly over, but that was it.

But yesterday one stopped by to check out the seeds I put out and stayed long enough to pick some of them out of the snow with her enormous beak. She didn't stay long, though, because our resident crows, which are much, much more skittish than city crows, saw me watching from the window and flew off in a flurry of wings. That made the raven nervous enough to fly away, though she hadn't seemed concerned herself that I was watching.

This sketch isn't from life. I ran to get my camera, but when I came back was when the crows decided to cause a fuss, so I didn't manage a photo. Instead, I found a picture online that matched more or less the raven I saw. It's a pretty rough, quick sketch, but I think I succeeded in capturing, at least a little bit, the range of textures in the bird's feathers.

And, as promised, here's what the book looked like in its original  installation. Not very good photographs, I'm afraid, but I hope you get the idea.

Natural History Journal: Days 1 & 2

I don't really have much to show for my new natural history journal in a giant blank book project yet, but a few people have expressed interest, so here you go.

Here's the book itself, which some of you have already seen on Facebook, Twitter, or Instagram. It's big. Next time I think of it, I'll dig out a photo of the project I originally made it for, which was an installation for a wood type letterpress class I took in 2007 I think.

Here's a shot of page one. It doesn't say a whole lot. Just some comments on the weather (cold and snowy) and a list of birds spotted in the yard.

And here's a close-up of the blue jay feather drawing. As you can see, I need a lot of drawing practice. But that's one of the points of this exercise.

Looking Back, Peering Ahead

One of last year's beginning-of-the-year goals was to blog more regularly. I did okay with that, up until mid-year, when everything fell apart. In fact, that's about when my fiction-writing goals evaporated, too. I'm not even sure why. Possibly I was just trying to do too much at once, as usual, and got overwhelmed.

But even though I didn't really meet many of my 2012 goals, I can't really call the year a failure, either. Here are some of the things I accomplished in 2012:

• I wrote three novels, a short story, and a novella. I was aiming for four novels and ten or twelve short pieces, so I didn't meet the goal. But still, three novels! Two of them still need editing and transcribing, but the bulk is done.
• I printed some new letterpress and linocut pieces, finished up a few bookbinding projects, and came up with a new notebook product (at the last minute for the holiday craft fair!) that I'm really pleased with. Again, I didn't meet my goal of finishing up all in-progress projects before starting new ones, but I did get a few things off my worktable.
• I spent more time walking in the woods. Though I didn't get in as much exercise-oriented walking as I wanted to, I renewed my love of simply wandering and seeing what there is to see. As a consequence, I felt renewed and refreshed creatively, even though my writing production crashed halfway through the year.
• I changed jobs. Sort of. Though I really loved my job writing about videogames for About.com, I've been wanting to get back into something more writing or fiction or book oriented for a few years. I've applied for a few other About sites, and even made it to the evaluation stage once (the process of getting hired at About is fairly long and involves writing a lot of samples, but it's worth it). Finally, this fall, I made the switch to writing about books, and I'm now the "Guide" to Young Adult Books. I'm still editing the videogames super-newsletter, though, so I get to keep up on that stuff, too.

Those are the biggest accomplishments, I think. So on to my goals for 2013.

• I'm going to attempt, again, to blog more regularly. I've just installed Blogger for iOS on my iPad, which I hope will help with that, since I've been doing more and more work on my tablet since I got it. My two pen-name author blogs will probably only get infrequent updates still, but this blog, and my bone blog should start seeing some more posts.
• Again, I'm going to aim to finish more in-progress projects. I have plans to do a lot more linocut prints this year -- there's the Vanishing Bestiary to work on, and a triptych of fossil-inspired prints, and I just had a request to make my winter raven card design into a larger art print. I have some bookbinding things to finish up, too. First off, though, is to get those dragon pop-ups done and sent off to my IndieGoGo backers.
• I'm going to focus on getting my fiction writing and publishing activities back on track. This means transcribing and editing Familiar (book 3 in the Others series by alter-ego Nic Silver), and adding needed scenes and editing Dark Stranger (sequel to Milk Sister). Also, I'm going to get the full Aeryn Daring and the Scientific Detective novel formatted and available as an ebook and POD paperback (by alter ego Calliope Strange). As far as writing, I'll be finishing Reindeer Girl, and tackling the next Nic Silver novel. After that, I'm not sure, but I have a list of ideas to choose from.

Of course, I can't start a new year without a few brand new projects. This year, I have two big ones in mind.

• First, a non-fiction project. I won't say too much yet, because I'm still mulling it over, and it's the sort of thing I have a specific publisher in mind for, and if they don't want it, I probably won't make it a priority. It'll tie together my folklore background and my current writing-about-YA-books in a scholarly sort of book. This month, I'll be working on a proposal and sample chapter.
• Second, an artistic and natural history project. This is one I've been thinking about for a while, but always put off because it seemed most logical to begin it at the beginning of the year. So starting a little later today, I'm going to use a great big notebook I made for an unrelated art project and start keeping a natural history journal. So as not to be overwhelmed, I'm not going to try to force myself to write every day, though it would be cool if I managed it. I'll just write down observations and make little sketches of the world outside my door as the year goes by.

And now I think I've probably blathered on enough for one day.

A Quick Thing About Dragons

Recently I got out a drawing I had started to do on my watercolour pad and decided I might as well finish it. So I started by re-inking what I had already done with a pen using a brush instead. Then I added details with a pen (a dip pen with a Hunt 102 "crowquill" nib, which not only has a cool name, but is my favourite nib for drawing with).

Once the inks were done, I painted it with watercolours. And the whole time I was painting it, I was thinking about text I could add to it, and how it could be part of a book project (because everything I do seems to end up connected to books somehow). I won't say much more about that here, as I'm going to do the book under my Calliope Strange pen name, but it'll be a sort of travel journal by my mad scientist character Sophia Shallowgrave. But more on that later...

Reindeer Girl Cover

If you're a Facebook friend or you follow me on Twitter, you'll have seen pretty much everything in this post, but I thought I'd bring all the work-in-progress shots for this book cover together in one place.

First, a bit of background. I've been working off and on to write a novel about a character called Maring Darkberry, who belongs to a culture called the Reindeer Herders (or just Herders)--a genetically mixed people who live on the barrens of my imaginary island/continent of Frisland (also the setting for many of my short stories, and for the Aeryn Daring stories I write as Calliope Strange).

The story started out as a short story called "White Foxes, Full Moon," but I soon realized there was a lot more to Maring's tale. But for some reason I never got farther than perhaps two-thirds finished.

So recently, I saw a call for submissions from a place called JukePop Serials which had an interesting business model. And I thought maybe by serializing the thing, so there were people waiting for the next chapter, I might actually finish it. And the editors at JukePop liked it. So now the title is Reindeer Girl, and it'll be serialized starting in September. And it needs a cover.

Maring

First I needed a reference for Maring. It didn't have to look like her, exactly, as long as the pose was right. So digging through a box of old pictures, I found this one of my beautiful mother with my sister and me (I'm the chubby one on the left) in her lap.

I did a sketch I was pleased with, changing her features to make her look less like my mom and more like the character in my story. Though in the story Maring has fair skin and blue eyes to go with her black hair, I wanted it to be clear from looking at her that not all her ancestry is European. Her people have intermarried all over the place, and they currently live quite close to a people they refer to as the Snow People (who are, of course, Inuit). So I wanted Maring to look like some of her recent ancestors were Inuit or perhaps Siberian or even Mongolian.

I could already tell that I probably hadn't really left enough room for the rest of the picture, but I was thinking about scanning the inked drawing and colouring digitally, so I went ahead and inked the drawing on the sketchbook paper, rather than transferring it to watercolour paper.

Text

 I spent a long time looking at type, and found what I thought was the perfect typeface for the title. It was Celtic, but rough-looking; calligraphic but loose. Unfortunately, none of the links on the designer's website worked. So I kept looking and eventually decided that what I really wanted to do was hand-letter, a la Walter Crane, or more recently, Charles Vess.

Of course, I then decided I also wanted to hand-colour, so I had to figure out a way to squeeze everything onto the page.

Background

I had in mind a particular photograph, taken on the barrens of the southern Avalon Peninsula of Newfoundland, which just happened to have caribou in the shot (for the curious, caribou and reindeer are the same animal, Rangifer tarandus, the first usually used in North America and the second in Europe). Alas, there must be another box of my photographs still in storage at my mother's house in BC, because I couldn't find it. So instead I used this one, taken somewhere between Cape Ray and Gros Morne, Newfoundland.

I started with a blue wash, and quickly began to wish I'd taken the time to transfer the drawing to watercolour paper before inking.

Then I added green and yellow. You can see the paper getting more and more wrinkled with each colour I add.

Then some brown and grey, and a little red and purple.

Finally, I brightened up some of the colours and added a few details with pencil crayon.

Then I had to flatten the thing so I could get a good scan. I did this by thoroughly spritzing it with water from the back, until the paper relaxed and it lay flat. Then I put it between sheets of printmaking rag (I used some old proofs) and newsprint, and put it under a goodly amount of weight to dry. And the next day it was perfectly flat.

I had to scan it in two pieces, because it's too big for my scanner--thanks to Photoshop's "photomerge" function, putting the two pieces together was a snap.

And if anyone's interested, I've made it available as a print through Zazzle (if you order, make sure to let the preview load for the size you select--some sizes will cut off the top and bottom of the image). I may do my own prints at some point, on my very nice super-deluxe photo inkjet printer on digital photo rag paper. If enough people ask, that is.

Recent Letterpress Work (Or, I Am Not Dead)

So much for my goal of posting something every week. I don't even really have the excuse of being busy. Which isn't to say I haven't been busy. I have. Just not so busy I couldn't post something. But anyway.

I am writing lots of fiction, and planning some other fun things. I've been making a few things, like this entirely non-letterpress item:

Available from one of my Etsy shops, if you're interested.

As for letterpress things, I finally got the "Spring" card in the four seasons series done, leaving just the "Autumn" one, which I hope to get done soon. The bulk of these are still in the Dawson Printshop, waiting for me to trim them down to size, but they are printed, at least.

I also played around with some wood type (and a linocut) while I was teaching (not during class time, of course, but while waiting for my students to arrive). I started with this little card:

Then did this one:

And then this:

You can probably tell I printed the first colour on the next card right after printing the second colour on the previous card, to reduce the number of times I had to clean the press. I do love printing these simple cards with vintage type and translucent colours, and I have plenty of ideas for more. I'm thinking "Thank You" and "Happy Birthday" cards should be next, since those are things people often ask about.

Right now I'm working on a book cover for my novel Reindeer Girl, which will be serialized by JukePop Serials starting in September, but I'll do a whole post on that once the picture is done.

The Vanishing Bestiary 1: Dodo

Friday afternoon I started on the test illustration I mentioned last post that I wanted to do, to see if I could get enough detail in linocut for the illustrations for The Vanishing Bestiary. By the time I went to bed, I had a good start on the drawing, and by Saturday afternoon I had something I was happy with (if you follow me on Twitter or Facebook, you may have seen this first image already):

Next, I needed to transfer it to the linoleum, which I did with good old-fashioned carbon paper (I believe it's still possible to buy it at Staples, but I have an ancient box that somebody gave me many, many years ago). I actually began by scanning the drawing, flipping it in Photoshop (since I wanted the final image to be facing left, like the original drawing), and printing it full-size on my laser printer. Then I used the printout and the carbon paper for the transfer. Finally, I went over it again on the linoleum with a hard pencil. The lines from the carbon paper are pretty stable, but I wanted to make sure I had all the details and smoothed all the lines, as it's very easy to get confused when cutting lino.

Above is the traced-over scan, the carbon paper (look closely and you can see where the transfer process left the image of the dodo in the carbon), and the lino. At this point, I had only gone over the head with pencil; the rest is still just the carbon transfer.

Cutting this image was easier than usual in a way. I didn't have to think too hard about what to cut and what to leave, because skeletons are white, so I could just sort of draw the skeleton with my cuts, if that makes any sense. Of course, I did have to remember to leave lines between elements, and there was a lot of small detail, so it was not at all easy in other ways. The final task was to cut out the silhouette of the animal, since I don't want any lino residue printing around it. I may or may not cut a second plate to make some sort of background in another colour, but for now it'll just be simple.

For the first proof, I used some water-based block printing ink I had kicking around, and immediately regretted it. I remember now why I hate the stuff. It was pretty much drying as I rolled it on, and it refused to go on at all evenly. And to top it all off, it pulled some of the newsprint off the proof (you can see it stuck to the tail in the image above). So then I used some rather aged rubber-based ink, and had problems with that as well, for reasons I haven't determined--possibly it was just too close to being dry, with too much oil leached out. Finally I pulled out a tin of truly ancient, but still very good, proofing ink I inherited when I was helping clean out the Dawson Printshop. It may be older than I am, but it still spreads like warm buttercream icing. The proofs I made weren't perfect (for one, I didn't clean up the rubber-based ink thoroughly enough, and for two, flat areas are hard to print well on my little tabletop proof press).

All in all, I'm very pleased. I hope to get some time before teaching on Wednesday to print a small edition (as prints, not for the final book, which I'll do once I have all the images cut and figure out what size to make the pages). I'll pop them in my Etsy shop for sale, too. Oh, and I think I'm going to make myself a t-shirt with this one.

Pondering The Vanishing Bestiary

I love bestiaries, and I've been wanting to make one for ages. So slowly this idea has been taking shape in my brain, for a bestiary of vanished species. It will be letterpress printed, with minimal text (but what text there is hand-set in metal type), and illustrated either from polymer plates or linocuts. I'll probably go with lino, but I'll have to do a test illustration to make sure it'll work.

As I said, the pictures will be of vanished species--I'm thinking beasts that went extinct directly, or at least largely, due to human interference. And the images will be skeletons, because I like bones. I may do just the skeleton, or I may include the body of the animal (perhaps just as an outline). That's one of the things that hasn't quite formed in my head yet, but which test illustrations will help with. (Apologies for the mangled sentence structure there.)

So my next step is to decide on a possible list of species to include--dodo, thylacine, quagga . . . if anyone has suggestions, feel free to post them. And I need to decide on a size, so I can start on a test image. After that, I have to figure out paper, typeface, binding style . . .

Way back at the beginning of the year (which looks so far past on the calendar, which feels like such a brief time), I said I wasn't going to start any major new projects until I'd crossed a bunch of half-done things off my list. And while I haven't really finished as many things as I'd like, this isn't really a new project. It's been percolating in my brain for over a year now.

I also had thought of doing a similar project that would be a suite of intaglio prints rather than a book. And it would be just skulls, each one life-size on the copper plate. That's something I may revisit at some point, when I actually have some way to make and print intaglio again.

Anyway, no pictures yet, alas. But I may start on that sample image this weekend.

Calligrapha multipunctata

Calligrapha multipunctata. If that's not one of the coolest Latin binomials there is, then I'm no judge of cool. (Okay, probably I'm not much of a judge of cool, anyway, but never mind.)

Anyway. I came across this little fellow (or lass) on the way back from the mailbox. I might never have spotted him if he hand't been on his back, flashing his quite reddish wings in order to right himself. Against the beige and grey of the gravel road, he stood out quite a lot. He's just under a centimetre long--maybe 7 or 8mm.

I'm not absolutely certain of the species identification, since I didn't find him on his host plant. It could also be C. philadelphica, which is very similar. Most of this genera is very closely associated with a plant species--willow in the case of C. multipunctata, dogwood for C. philadelphica. Of course, I could go back down the road and do a survey of trees. I'm pretty sure there are willows nearby, and not so sure about dogwood.

At first I thought I was looking at a non-red species of ladybird, but the fabulous online Bug Guide set me straight. Still, identifying insects is hard, even when it seems to be something pretty different, though I guess you get better once you know what to look for.

A Couple More Frogs

This will probably be the last frog-related post for a while (though I can't promise anything), but I wanted to post pictures of the finished card and print, as well as an in-progress shot of the cut on my little proof press.

Spring Peepers Card

Here's the finished card, printed in green ink on handmade recycled cotton rag printmaking paper. I plan to do some on cattail paper later on, assuming I can salvage the half-made pulp that's fermenting on my picnic table.

I like the green, but the next ones will probably be brown or black. And spring peepers aren't really green, anyway.

Spring Peepers Print

I also did these little frogs as a print, on the same paper, in the same ink. Because the cuts are actually two separate pieces, I could move them around.

As you can see, though, I really liked the configuration I put them in on the card, because even though I wasn't looking at that when I set up the print, they ended up in almost the same places, just farther apart. Ah, well.

In-Progress

Here are the plates on my little table-top proof press, inked up and ready for the paper.

My press is type-high, so to print unmounted lino, I have a piece of 3/4 inch plywood on the bed, then newsprint and mylar to keep things clean (unmounted cuts tend to pick up ink on the back, and mylar is easy to wipe clean). Then the lino goes down, then the paper. On top of that I put another sheet of newsprint, then a press blanket cut from an old wool blanket (like an army blanket, but it's pinkish instead of grey), then two sheets of eska board (bookbinder's board). That gives a nice deep impression on the handmade paper, and if I need to, I can adjust it by changing the amount of board and paper.

Spring Brings Out the Peepers

Here's something I'm working on:

Two little wee linocuts that I'll print on handmade paper tomorrow. I originally planned to print them on cattail paper, but I'm pretty sure I won't have time to make any more paper by the weekend, so I'll print them on some odds and ends of recycled and the last of the last batch of goldenrod paper. I'm thinking of printing them in bright green ink, even though Spring Peepers are usually more brown. Green just seems more springy.

And I finished printing the goldenrod lino today, so tomorrow I'll fold and package the cards. It's on goldenrod paper, of course.

And here's a terrible photo of one of the latest batch of blank books. I'll take better photos of whichever ones are left after the craft fair and get them up on Etsy. I made ten in various colours and configurations, and have one left from the last batch.

Coelacanth: Living Fossil Birthday Card

So here's another one of my recent lino pieces finished.

The actual linocut is one I made several years ago to go with some hand-set type, and I've been wanting to use it again for a card. Here's the inside (also hand-set metal type):

If you're unfamiliar with the reference, the coelacanth is a big, ugly fish that was thought to have been extinct for thousands of years until one turned up in a fisherman's catch in the late 1930s. Since then, it's often been used as an example of a "living fossil."

I am wondering if I should take along some blank inserts with me to the craft fair next week, in case anyone likes the card but not the insides.

Anyway, I only printed a small number for now, because I didn't have many sheets of this particular paper, which was a batch I made to use up some pulp. It's half recycled rag, half goldenrod, but the rag had been frozen and didn't spread out well in the vat, which created the blobby look. And because the goldenrod was the end of the batch, there were a lot of stem bits it it, making the paper brittle and crunchy. I also had problems with the paper sticking to the plate and leaving bits behind, so I had to wipe off the lino and re-ink after every print.

I'll see how these sell before I print more, at which point I'll use a different paper.

House Frogs

I haven't got much exciting or new to report on the making-of-things front, but life on the edge of the woods continues to be interesting. Late last night I happened to step outside and looked, as I always do, to see what moths had landed near the light over the door. There aren't many moths out yet, but I saw an odd dark shape that I thought might be something new. When I looked closer, it turned out to be two small frogs, clinging to the loose paint of the siding. By the time I got my camera, naturally, one of them was gone, but the other one sat still while I photographed her from several angles, and didn't seem too bothered by the flash.

She (or he) is a Spring Peeper, a common species in Nova Scotia. We're treated to choruses of hundreds of them every spring. These two were rather large, though, to the point I thought maybe they were some other species. I'm not a frog expert, but I'd guess they must be about at the upper size limit for Spring Peepers.