23 March 2014

Busy, Busy

(This is the second time I've written this post, and I'm stuffed up and groggy, so it's going to be even shorter than the first time (damn you, Blogger for iOS, for dumping my post when I switched to Safari to look up a URL) (yes, I should have saved a draft first, but I really shouldn't have to) (also typing while annoyed) (and too many parentheticals) (I need more cold medication).)

What was I saying? Oh yeah. Busy with craft fair stuff, teaching, and sick, so not posting much until a few weeks hence. There was more detail and better sentence structure, but my ears are starting to ring, which means I need to rest, so I'll leave it at that. Here's a picture of some of what's keeping me busy:


Oh, and this is for the Halifax Crafters spring market, the first weekend of April, at the Olympic Centre. If you're in Halifax, stop by. There's no admission fee, but there is food and chocolate and cool crafts.

16 March 2014

Oops, Missed a Post

Yeah, I missed my Stamp Saturday post yesterday. Apologies to anyone who was waiting for it. I'm in the middle of prepping for a craft fair with mostly-new merchandise, so I'm a bit swamped. But never fear, Stamp Saturday will return shortly. 

12 March 2014

Writing Wednesday: Something From the Future (or the Past)

The next book I write is probably going to be book four of my urban fantasy series by alter ego Nic Silver. Though probably I should also finish Reindeer Girl. And since someone actually asked for it about a million years ago, there's the sequel to A Madness of Kentaurs to do.

But at some point in the hopefully not-too-distant future, I have an old project to get back to. It's one that I wrote the opening paragraphs to sometime in the distant mists of the past (er… the mid-90s, maybe? the early-00s?). I came across it looking for something else about a year ago, and it made me laugh. In a good way. And then I set it aside again to work on other things.

The main character is an archaeology PhD student named Grace Cowell (Gray for short), and I intended it to be a mystery novel, set in southern Alberta where I did my field school (which wasn't that long ago at the time I started thinking about this book, but is rather a very long time ago now). I had some fun notions about the plot, but no experience writing a mystery.

I still have no experience writing mystery novels, but I do have a lot more experience reading them. But I think I may also add some adventure novel elements -- maybe not to this book, but I have some ideas for the next one in the series. Because, naturally, all my short story ideas turn into novels, and my novel ideas turn into series. Sigh.

Anyway, here's the opening for Reading the Bones, an archaeological mystery-adventure, which I might get started on before the year is out. Or not.


***

“Consulting the oracle?”

Grace Cowell looked up to see the jolly, bearded face of her thesis supervisor grinning at her. Professor Ray James straightened his stocky frame from where he’d been leaning against the doorway, and stepped into the room.

Gray looked back down at the array of bones on the black-topped table. “Apparently, I’ll have an exciting adventure this summer, and meet a short, dark and handsome stranger,” she said.

Short, dark and handsome?”

Gray held up one of the bones as an exhibit. “Absolutely,” she said, schooling her voice to mock-oracular seriousness. “The healed fracture in this ursid phalanx is unmistakably indicative of short stature.”

The professor laughed and took the slender bone. It looked very much like a human finger bone, unless one knew what to look for. “So many big words,” he said, “from such a small object.”

“I keep hoping that if I make the summer sound grand and important, it will be. Or at least that it won’t be dull.”

Ray grunted. “These are the bones from Devon Island?” he asked.

Gray nodded and absently spread the jumble out more on the table. “Yup,” she said. “And instead of heading to the frozen north, the land of the midnight sun, etcetera, etcetera, to dig up more material for my dissertation, I’ll be going to hot, sticky southern Alberta to supervise bored field school students digging up cow bones and rusty nails.”

“And bits of broken glass,” Ray said. “Don’t forget the bits of broken glass.”

“Thanks so much for the reminder,” Gray said, resting her chin on her hand and her elbow on the table. She sighed. “Bits of broken glass. I hate historic archaeology.”

“If you want,” Ray said, handing her the bear bone. “I can tell Simon to find someone else to assist with the field school.” He tried unsuccessfully to hide a smile behind his beard.

“No,” said Gray. “I said I’d do it. I have to do something this summer, and historic archaeology is better than no archaeology. Besides, this field school gig pays.”

“You’ll have fun,” Ray said. “Not all students are bored. Or boring.”

Gray made a doubtful noise.

“And even if you don’t meet a short, dark and handsome stranger, at least you won’t have to live in a tent and worry about being eaten by a polar bear.”

“I suppose,” said Gray. “Though I don’t relish driving down to the ranch every day.”

“You’ll be able to bathe more than once a week. In a real bathtub.”


 “There is that.” Gray sighed and began to pack the bones she’d been examining back in their box. She might not get back to her dissertation work until the summer was over. “There is that.”

08 March 2014

Stamp Saturday: A Few Materials to Avoid

Until I test all the various things from my first post, most of which are specifically sold for rubber stamping and/or easy printmaking, I wanted to point out a few materials that might seem like good choices, but are probably best avoided (unless you're going for a specific effect, in which case you may want to experiment anyway).

Linoleum

If you read the other posts on this blog, or follow my Twitter or Instagram (both @anagramforink), you probably know I do a lot of linocuts. So it may seem odd that I'm now telling you not to use it. The thing is, though, lino is great for relief printmaking, but terrible for stamping.


Lino is a lot harder to cut than rubber stamp materials, it'll dull your tools a lot faster (and you *really* need sharp tools to cut it in the first place), and you probably won't be happy with the results unless you're printing on a press or using a hand-printing rub technique. For simple stamping, it's just not soft enough to make a nice clean image.

So, unless you plan to take up printmaking proper, save yourself some aggravation and steer clear of linoleum.

Erasers

One of the things on my list for stamp making materials is white plastic erasers, and they're excellent for rubber stamping. But they're pretty much the only kind of eraser worth spending money on. Personally they're also the only kind I use for erasing, too (except, very occasionally, kneaded rubber).

Most other kinds of erasers are too hard, too crumbly, or too textured to give good results (though, possibly, they might be useful for specific effects if you want to spend a lot of time experimenting). Those horrible pink erasers are among the worst, though different brands have different properties and a few of them might be worth trying if you're in the experimenting mood.


Also, there are some white erasers that are not the good kind -- they're pretty much just white versions of the pink ones, and nearly as bad to work with. They're usually the same shape as the pink ones, and often sold with ink erasers attached to one end.

Some coloured erasers, like novelty kinds, are very similar material to the good white plastic ones and would probably work, so if you find them really cheap it might be worth trying them, but in general I'd just say just get the white ones. You can even find them at the dollar store in a pinch.

Foam

Those sheets of craft foam might be tempting, and so might styrofoam trays and that sort of thing. They certainly could be fun to play with, but won't give very good results for rubber stamps you actually want to keep and re-use.

If you've got any more materials to avoid, or have achieved interesting results with something I said was no good, please feel free to leave a comment and share your results.

05 March 2014

(Instead of) Writing Wednesday: Sunset

Instead of inflicting another boring grammar or pet peeve article on you all, and because I'm not feeling particularly moved to write about anything specific (or maybe just because I'm lazy) here's a gorgeous sunset out my window Monday evening.


01 March 2014

Stamp Saturday: Little Prints

I was initially drawn to rubber stamping because it was like printmaking, only smaller, less messy, and less expensive. And the vast array of ink pad colours, not to mention extras like embossing powder and markers for colouring, were appealing to that same part of me that always has the urge to buy more art supplies. (I have ink -- both for fountain pens and for dip pens -- in just about every colour you can think of, just to name one example).

I never did end up buying many stamps. I have a set of Celtic designs given to me as a gift that I use from time to time, but never on something made to sell (or almost never -- I can think of one exception). I think I bought a couple of leaf stamps, and I have a office supply date stamp and a really great set of tiny alphabet stamps that can be set on a plastic holder almost like letterpress type (another gift, and one I have gotten a lot of use out of).

But, like just about any other craft I've tried, there was one thing that kept me from making rubberstamping a significant part of my art/craft making. I took up cross-stitch once, and really enjoyed the meditative aspect, but gave it up soon after. Why? Because I wasn't interested in making someone else's design, and I knew I could like never develop the skills needed to create my own designs without first spending a lot of time working from patterns.

With rubberstamping, though, I soon discovered that it wasn't that difficult to make my own stamps from my own designs. I can't remember where I saw or heard or read about it -- I won't claim it was an original idea, though I suppose it could have been -- but the Internet was relatively young and there wasn't much information to be found. But somewhere, I heard you could cut stamps from white plasitc erasers. So I did it, using an X-acto knife. I think the first thing I ever cut was my original White Raven logo. I still have it.

And though I set stamping aside for a few years while I worked on other things, I eventually came back to it, armed with more knowledge about other forms of printmaking, and with better skills for cutting print blocks that could be put to use cutting stamps, too.

For some people, rubberstamping is one of those scrapbooking crafts that are looked down on as not very original. For me, while I don't want to work from other people's designs, I'm sure as heck not going to look down on someone who isn't interested in making their own. But I see rubberstamping as a kind of small printmaking (though some stamp-making materials come in fairly large sizes and are even sold as printmaking, rather than runnerstamping, elements). And I use it for the same things as I do lino, litho, and intaglio: small art prints and greeting cards, bookmarks, gift tags, and other odds and ends.

The prints tend to be less crisp than printmaking, and I feel they're less precious, but other wise they're no different. The same skills are used to cut your own rubber stamps as to cut any other kind of printmaking surface (though rubber is rather easier to cut than lino, wood, or copper). 

26 February 2014

Pet Peeve: The Dreaded Apostrophe

Pretty much anyone who uses words for a living has pet peeves. Most of mine have to do with the eroding of precision by the common misuse of words with similar meanings -- theory instead of hypothesis, for example, or jealous when the correct word is envious. Mostly I try to just ignore them, or else I'd go crazy with irritation. And besides, I can't stop language from changing. It's sad when precision and nuance is lost, but languages are living things, and common usage changes them.

But when to use an apostrophe, and when not to, is really a super simple thing, and yet it confuses so many people. Apostrophes mean possession, many people think, so they add an apostrophe to its or hers. Shudder.

Actually, the simple truth is: Apostrophes are used for contractions.

That's it. That's all. Apostrophes never pluralize and they never indicate possession. Now wait a minute, you might be thinking. Because there are times when you need to use an apostrophe with a possessive, and times when it might be acceptable to use one with a plural. For the first: it's not because it's a possessive, it's because it's a contraction. And for the second: it might be acceptable, but it isn't correct.

So, the simple rule for apostrophes again: Use an apostrophe only when your word is a contraction.

Before I get to how that works with those pesky possessives that happen to have apostrophes, here's an essay I wrote a million years ago when I was in charge of the About.com Creative Writing for Teens site (as I said last week, it no longer exists, though you may find parts of it archived -- or plagiarized -- here and there on the web).


Which Word: Plurals, Possessives, and Contractions

More Than One

Most nouns are made plural simply by adding s (or es if the word already ends in s or sh). So more than one dog are dogs, one horse plus another horse makes two horses, and you can be in one skirmish or several skirmishes. Then there are the irregular plurals like mouse becoming mice and knife knives, but that doesn't concern us here. The point to remember is that when you add s to make a plural, you add only the s, never apostrophe-s. So dogs is always dogs and never dog's if you're talking about more than one dog.

But That Is Mine

Nouns are made possessive by adding s also. This is why people get confused. But it doesn't have to be confusing if you remember that to make a noun possessive you add apostrophe-s, and not just s all by itself. So to say that a bone belongs to a dog, you say that it is the dog's bone. A horse that belongs to Jonathan is Jonathan's horse. And so on.

But then what do you do if the noun or name ends with s already? There are two possibilities. One is to go ahead and add apostrophe-s after the s that is already there. The other is to just add an apostrophe. So you could say that a car belonging to Seumas is Seumas's car, or that it is Seumas' car. Adding both the apostrophe and the s is generally considered more correct, though either option is acceptable. The same two possibilities are available when making a plural noun possessive. You could say the dogs' bone or the dogs's bone in order to indicate a bone belonging to several dogs. To talk about the house where the Joneses live (more than one person with the last name Jones), you would say the Joneses's house or the Joneses' house. Writers usually use whichever is most like the way someone reading aloud would pronounce it; so a writer would probably write Seumas's car but the dogs' bone and the Joneses' house.

More Apostrophe-ses

Another place you get that old apostrophe-s is when you contract two words into one word (known as a contraction). Contractions don't always involve ses, of course; don't and isn't are contractions. But it's the ses that get confusing. All you need to remember is: in a contraction, the s always stands for another word (usually is, but sometimes other words like us). So that dog is running can become that dog's running and let us go swimming becomes let's go swimming.

Those Pesky Possessive Pronouns

Another source of confusion is possessive pronouns. Pronouns are words that stand in for nouns, like me, you, she, it, us and so on. Unlike other nouns, pronouns never use apostrophe-s to become plural; they have their own special plural forms. To show possession, the dog that belongs to me becomes my dog; the dog is mine. So you get the forms me my mine, you your yours, he his his, she her hers, us our ours, it its its. The word its seems to give people the most trouble. The key is this: its is a possessive pronoun (possessive pronouns don't use apostrophes); it's is short for it is.

When Plurals Are Allowed Apostrophes

Now I've already said that plurals never use apostrophes, and I stand by that, but some publications (and web sites) require the use of apostrophes in plural forms in special situations (and only in special situations). Those situations are ones where the s that makes the word plural might be confused with part of the word itself, in acronyms or abbreviations, and with numbers. So some newspapers, for example, specify that you must write how-to's rather than how-tos, CD's instead of CDs, and the 1990's rather than the 1990s. Personally, I think people are smart enough not to need those apostrophes, but if it makes the difference between selling an article and not selling one, I'll put the silly things in.

How To Keep It All Straight

That seems like an awful lot of detail to remember, but it's all logical if you stop to think about it. But to make it a little easier, just remember these rules:

  • Nouns become plural with s or es (unless they're irregular), and never use apostrophes (except in some publications where some words, acronyms/abbreviations and numbers are required to have them).
  • Nouns, including plural nouns (but not pronouns), become possessive with apostrophe-s (or sometimes with just apostrophe).
  • Pronouns have special possessive forms and so do not use apostrophes.
  • Contractions always use apostrophes to indicate that part of the word has been taken out to shorten it.

And that's it. Remember those four points, and you'll always know if you need to say its or it's, the dogs or the dog's.



In the million years since I wrote that article -- which I mostly still agree with -- I learned why it that possessive nouns use apostrophes, and it makes everything so much simpler. I think if they would just teach that one little bit of the history of English in school, a lot of people would never be confused about apostrophes. And if I'd known it when I wrote that article, I could have simplified my final list to:

  • Only contractions use apostrophes.

Because the reason possessive nouns require apostrophes is because they are also contractions.

Once upon a time, in order to make a noun possessive, you have to make it awhile phrase. So to say that George owned this book, you'd write: George, his book. And, as language change, that phrase became one the was more conveniently shortened, contracted to George's book. In other words, George's is a contraction of George, his.

So how come we don't use Emily'r instead of Emily, her? I imagine it's partly because it's unpronounceable, but also because the default gender in the English language has long been male. (I won't say it always was, because there was a time when English -- or that which English evolved from (I don't recall the details and I'm too lazy to look it up) -- had a different set of pronouns).

So there you go. Apostrophes are only used for contractions, and possessives only have apostrophes if they are also contractions.

22 February 2014

Stamp Saturday: Tools

This series is about cutting your own rubber stamps, and I'm planning to test a whole bunch of different materials that are available for that purpose. If you missed the first Stamp Saturday post, which covered all (or most) of the materials I'll be covering, you can find it here.

Because I look at rubber stamping as a type of printmaking (more on that next week, probably), I tend to use a lot of the same tools I use for other relief printmaking processes. In other words, the same tools I use for linocutting.

My earliest rubber stamps, which I cut from white plastic erasers something like fifteen years ago (back in the days when Staedtler still made erasers in an extra-large size), were cut using an X-acto knife. I didn't really know what I was doing, even though I had done a small amount of linocutting before. They turned out surprisingly well, considering how difficult it is to cut efficiently and neatly with a simple knife. I'll have more on how to cut with different tools a few posts from now, so don't worry if all you have is a knife. It's possible to use one much better than I did back then.


These days, while I still keep my X-acto handy for trimming edges, I do most of my cutting with lino tools. When I cut actual lino, I generally use woodcarving tools rather than the tools sold as lino tools. For not that much more money, you can get a decent set of Japanese wood carving tools that will last a lot longer, and which can be easily sharpened with a stone. I got this set from Lee Valley Tools here in Canada. 


They also sell a set with clear acrylic handles that I've heard very good things about, and that I'm tempted to buy as designated stamp cutting tools (I like to keep my tools separate as it cuts down on re-sharpening). I also have a couple of sets of those cheap Speedball lino cutters with replaceable blades that I bought to have as backup when I'm teaching. While they're not that great for actual linocutting -- they dull too quickly and don't re-sharpen as well as real woodcutting tools -- for stamp cutting, they're actually not too bad. Rubber stamp materials aren't nearly as hard as lino, so the tools don't dull as quickly, so once you get them properly sharp, they'll stay that way for a long time.


I do most of my cutting with the small v-gouge, which I find has the best shape for a good, stable cut. The small u-gouge is good if you have a lot of curves to cut (I find the u cuts curves better, though the v is fine, too), but the shape of the cut gives less support to the printing surface. I'll get into that more when I talk about cutting technique, but for now I'll just say that if you only buy a single tool, make it a small v-gouge. Larger tools are good for clearing out large blank areas and cleaning up edges, but the v is best for basic shapes and detail.

If you plan to do a lot of cutting, and get yourself a decent set of tools, you'll probably want to invest in some sharpening tools, too. For frequent use, a strop may be all you need, though it's not something a lot of people aside from woodcarvers have on hand. Lee Valley sells a two-sided strop -- put dressing on one side, and leave the other side clean, and run your tools over it from time to time as you go. Since rubber stamp materials are quite soft, it may be all you ever need if your tools are sharp enough out of the package.


If you're not sure about a strop, or don't think you know how to use one (and they are a little awkward to use on a carving tool when compared to how easy they are to use with a knife), then a fine sharpening stone is your best bet. I have a little stone I got as a gift that has fine on one side and medium on the other, and covers most of my sharpening needs. Chances are, you won't need anything coarser than that for rubber cutting. If you do lino and are hard on your tools, a coarse stone might be a good investment. 

Next week, I'm going to backtrack a bit and write what probably should have been the first post in this series: a sort of introduction and my thoughts on the whys and who cares of rubber stamping. The week after, I'll probably begin on technique.

19 February 2014

Writing Wednesday: Stalled, and Practical Musekeeping

Since I started a (hopefully regular) Saturday post called "Stamp Saturday" I figured why not make Wednesday about writing. Since, you know, "writing" and "Wednesday" both start with "w."Or something. Plus, some people come here to read about writing, and some about art/craft, and some about whatever else happens to fall out of my brain. So on Wednesdays, I'll try to say something meaningful about writing.

So. I haven't been writing much lately, except for necessary work things. My fiction writing has been completely stalled. Why? I don't know. I don't actually believe in writer's block; I know all I really need to do is sit down and start typing. But I haven't. Fear, maybe? Loss of enthusiasm because nobody has noticed that I've written anything? Maybe, and maybe. Or maybe it's because I'm a little contrary by nature (subtly -- most people would probably find me accommodating rather than contrary) and the more I berate myself for not writing, the less likely I am to write.

But not writing does weird things to my brain. I feel strange and wrong in ways I can't really describe, and which don't really have a source. Except I only feel this way when I'm not writing. So I obviously need to get writing again. And I find myself remembering an article I wrote a million years ago, when I was in charge of the Creative Writing for Teens website at About.com (don't go looking for it; it no longer exists and you'll be redirected to the Fiction Writing site). I re-published it more recently on one of those content sites (Suite 101 maybe? Associated Content? I can't remember) when I was trying to see if I could get more writing work (I concluded those sites aren't really worth the effort). Apparently, it got picked up by "Yahoo Voices" which I have apparently been part of since 2009, though I don't recall signing up. I might have done, and forgotten. It's the sort of thing I would do. More likely, Yahoo bought out whichever content site it was I had written it for, and transferred me and some of my content over. Anyway, here is "Practical Musekeeping" which may or may not help with writer's block…

Practical Musekeeping

The Role of Inspiration in Writing

You've heard the old saying that something is "one percent inspiration and ninety-nine percent perspiration" (or, as Marion Zimmer Bradley put it, "ten percent inspiration or talent, and ninety percent hard work"). It's true for writing, too, but that isn't to say that inspiration -- the Muse -- has no role in writing.

Getting inspiration, finding your Muse, is important, but it's even more important to know that you can't just sit around waiting for a Muse to show up. Muses aren't interested in writers who sit around not writing, Muses are interested in working writers, writers struggling to find the words to express their own vision of the world. Become one of those writers and soon enough you'll have a Muse whispering story ideas and perfect phrases into your ear as you write.

Feeding the Muse

As Ray Bradbury pointed out, it is necessary to offer a Muse sustenance before you can expect one to come to you.

It may seem a little silly to feed something you haven't got yet, but it works. If you really are meant to be a creative writer, you've probably already got a Muse hanging around, waiting for an invitation. Offer her something tasty and she may just let you see her.

So what do you feed a Muse? All sorts of things, really, but primarily experience. But before you get dismayed, thinking you're young and haven't got much experience to offer, you should know that experience comes in many forms. You're alive, so you've had experience. You've felt things, done things and learned things. And you've read things.

To provide your Muse with plenty to eat, go places and do things, but most of all, read. Read everything. Read poetry (even if you think you don't like poetry; sometimes you have to do things because they are good for you). Read non-fiction; that's where odd ideas come from. Read fiction. Read in and outside your genre. Read classic literature (it's good for you). Read junk (it's tasty). All these things will be filtered through your own perceptions to feed your Muse.

Enticing Your Muse

Once you've attracted a Muse (or discovered one you already had), you'll need to get her to come out and play now and then, to help you with your writing (exercise is very good for Muses). To do this you must sit down and get to work. Write something, anything. Don't wait for the Muse to tap you on the shoulder and tell you to get working; Muses are basically lazy and won't bother very often. But once you're stringing words together, your Muse will get curious. She'll think, "There's a better way to say that," and then she'll come out and tell you what it is.

Remember also that Muses are shy, so don't try to force her out. Just go about writing that poem or story, and let her venture out on her own. She will, and the more often you entice her out, the more easily she'll arrive next time.

Do Not Neglect Your Muse

The worst thing possible for a Muse is neglect. If you ignore her by ignoring your writing, she'll go away and it can be very difficult to get her to come back (not impossible, though). If you don't keep feeding her with new experiences and new things to read, she'll begin to repeat herself and you find you write the same boring stuff over and over. Be attentive to your Muse, fulfill her needs and she'll help you with your writing for the rest of your life.

Further Reading on Musekeeping

If you don't feel quite ready to accept the responsibility for keeping your own Muse, try reading some of these fine publications. You can never have too much information, though Musekeeping is really quite a simple and natural process.

Zen in the Art of Writing: Essays on Creativity by Ray Bradbury (Bantam Books, 1990) contains the very useful essay "How to Keep and Feed a Muse (and was the main inspiration for my article). "It isn't easy," Bradbury writes. "Nobody has ever done it consistently. Those who try hardest, scare it off into the woods."

"Waiting for Inspiration?" Ha! is a short but useful commentary on Inspiration (another name for the Muse) by Beth Mende Conny. (Note: this used to be available online, but I can't find it anymore. If anyone finds a link, please send it along and I'll update.)

15 February 2014

Stamp Saturday: Materials

I'm going to try adding a second weekly post here. We'll see how I can keep up with it. Stamp Saturday is going to be notes and thoughts on a project I'm working on, to write a book on carving your own rubber stamps. It came about because I was looking to buy such a book, and the only ones I could find were either out of print (and fetching ridiculous prices on the collector's market), or had only small sections about how to make the stamps with the rest of the book taken up by projects.

There are, I think, plenty of great books already for people who want ideas of what to make once they have some stamps (and you can make the same projects with store bought stamps as you can with hand-carved ones) -- I'm more interested in the technical details of creating my own designs. So I'm going to be doing a lot of testing and experimenting, which will be the raw material for a book to share what I learn.

To get started, I pretty much ordered one of every kind of material that seemed suitable from Dick Blick Art Materials (because they have a pretty good selection, and decent prices/shipping). And I had a few things already on hand (one of which, I just realized, I left out of my photo).


The list so far:

  • Blick EZ Cut
  • Speedball Speedy Carve
  • Moo Carve
  • Inovart Eco Karve
  • Inovart Smooth Cut
  • Richeson Clear Carve Linoleum
  • Speedball Speedy Cut Easy
  • Soft Kut
  • Speedball Speedy Cut
  • white plastic eraser
  • black rubber mat

The black rubber mat is actually sold as a non-slip surface protector for cutting lino on, but I thought I'd try cutting it as a stamp just to see how it would work. It looks like there may be a few new things at Blick that they didn't have when I ordered, so I'll probably update the list eventually.

What I will not be using (though I use it for printmaking) is linoleum. It makes an excellent relief printing surface, and I love working with it, but it's not nearly soft enough for rubber stamping. (And the Richeson Clear Carve in the list above, while called "linoleum," isn't really, so I'm going to try it). I'm also not going to use foam printing elements because while they're fun, they're too soft to produce good results, and don't stand up to heavy use.

My initial tests will simply be how well these materials cut. Then I'll compare how well they take ink (and what kinds of ink), and how well they print when used as a rubber stamp (rather than in a press like a printing plate). I'll also try them with and without a layer of foam (it adds give and can make harder materials print better in some cases).

Over time, I'll keep track of how well the materials last, and I may save some of the bits trimmed off so I can try leaving them out in the sun, leaving them in a damp area, and that sort of thing.

12 February 2014

Crow Snow Angel and Ice Eagle

I start teaching my Introduction to Letterpress class today, so all I have for you this week is a couple more photos of bird-realted things. Maybe I'll remember to take some pictures of my class this time around, and share them here.

Here's a thing I call a "crow angel," which is a snow angel made by a crow landing. Other birds make them too, of course, but the crow ones are the easiest to photograph (not that this is the best photo). This was in my front yard, near where I put seeds out every morning.


And here's a very very blurry image shot out the window of a moving 18-wheeler on the Pictou causeway. In case you can't tell, it's a bald eagle on the ice. It was really far away, so I couldn't tell what it was doing. Eating, probably.


05 February 2014

Birds

We get plenty of visitors to our house, year round, because I put out seeds every morning, and I try to keep a suet feeder filled in the winter (once the squirrels discover it, it empties fast). Here are a few of the most recent birds, from the past week.

A female Downy Woodpecker. These little birds are not shy about telling me when the feeder is empty or someone else is eating from it. They're quite talkative.


A couple of shots of Dark-Eyed Juncos. There are juncos where I lived in BC, too, but they had brown bodies and black heads, instead of the solid slate grey that NS birds have. Either way, they're terribly cute. These guys won't eat from a feeder, but are happy to take seeds from the ground, and really like it when the jays get into the suet, because they drop a lot on the ground.



For a few minutes, a male Hairy Woodpecker condescended to share the suet with a Blue Jay. It didn't last long, though, before the woodpecker chased the jay away. They're pretty close in size, but our jays tend to be a bit skittish, and even the Mourning Doves can chase them off.



29 January 2014

Paper Moths


I had been thinking, a while back, about combining letterpress printing and die-cutting to create some paper moth specimens. Something like the ones I made from leftover proofs of my book moths intaglio prints (sorry, no photos of those to hand at the moment), but more three-dimensional. I'm still planning to do that, but it occurred to me the other day that I could also make three dimensional moth specimens out of my handmade paper.

So I tried it. If you follow me on Twitter or Instagram (@anagramforink on both), or are a friend on my personal Facebook account, you may have seen a photo of the first attempt. For the past couple of days, I've been making a cheap dollar store shadow box look nice to put it in, staining, adding a hanging wire, and lining it. I still have to find a small brass latch, but today I've been trying to decide what colour paper to line the box with.

I've narrowed it down to five more-or-less neutral papers. Royal blue looked nice, as did burgundy, but the rich colours, I thought, drew too much attention to themselves. Here are the five finalists (apologies for the less than stellar photos -- I took these with my iPad in poor lighting). Any opinions are welcome.

White:

Black:

Grey faux parchment:

Deep grey:

Deep brown:

Some of the papers aren't lying flat, but they will once they're pasted in, so please ignore that. I won't mention which one(s) I'm most inclined towards yet, as if like to see what people think.

And I will be making more of these, and they will be for sale. This is, I hope, just the beginning. Which means I'm going to need to make more paper...





23 January 2014

More Snow

I remembered to photograph the snow this morning. It doesn't look that much worse than the photos from yesterday, but the snow is actually considerably deeper. It was up to the top of my snow boots when I fed the birds earlier.


22 January 2014

Snow Day

We've had quite a bit of snow here in a Colchester Co, NS. A few days ago, I woke to find the yard looked like this:


Quite a lot of that snow fell off the trees and roofs and car, and it was just warm enough that some of it even melted. But it's blizzarding here today, so there will be more snow yet.

Here's how it looked early this afternoon, after some light snow overnight and somewhat less light snow this morning:


There's a lot more out there now, but it's too dark to photograph. If I think of it, I'll take a picture in the morning and post it.

15 January 2014

Snowy Owl

Some folks have expressed interest in the processes I use for various things that I make, so I thought this week I'd go through how I made my latest die-cut card, step by step. If you follow me on Twitter (@anagramforink), or have friended me on Facebook, you may have already seen some of what's in this post.

Everything starts with an idea, naturally, and the snowy owl popped into my head as a result of the stories I keep seeing about how this winter snowy owls have been migrating farther south than usual, showing up even as far down as New Jersey. We have snowy owls here in Nova Scotia, but I've never seen one (nor even heard one, as they are not very vocal, unlike our other local owls).

So, with images of owls popping up in my social media feeds, I started to get ideas about how I could make an owl card. First, I looked at lots of pictures, trying to figure out pose and angle. Then, once I'd decided I wanted a flying bird, I found some more specific reference images, and started to draw. Since I knew I wanted the card to be more or less symmetrical, I concentrated on one half of the owl, because I could use Photoshop to create the other half. 


When I had a sketch I was happy with, I firmed up the lines with a black pen, and then erased most of the pencil lines.

Next, I scanned the image, copied, pasted and reversed the half I'd drawn to make a complete owl, and cleaned up the lines. I used the fill tool to fill in the outline, creating a solid black shape. This makes it easier for my cutter software to create a file to cut from.

I saved the image as a tiff, and imported it into the cutter software, traced, resized, and started test cuts. Sometimes I get a usable design on the first go -- usually if it's something simple. More complex designs require more tests, especially if there are lots of small pieces to cut out, as there are on this owl. Once something gets too small, the cutting blade can't pivot quickly enough. In the case of the owl, I had to make the bars on the feathers larger.


I also wanted to try a simple silhouette version.

None of the initial designs was quite right, so I tried again. I'd already decided on the black background, though I used the blue and green again in my tests, since I had already folded the card. The moon was a whim, added as a way to bring out the eyes by having something else yellow in the image.


A few more tweaks, and I have the final design. I could play with it some more, but I know myself well enough to know that sometimes I have to say "good enough" or I'll just keep fiddling forever.


In a day or so, I'll cut out a whole bunch of these, and then start assembly. They're sized to fit a standard (#10) business sized envelope, and I'm out of plastic sleeves that size, so I'll have to order more before I can sell these. I'll have to get more envelopes, too.

(Apologies for the terrible photos. The first and last were shot just now, with my iPad, and the Blogger app doesn't work very well with the iPad's camera. Some really weird things happening with framing. The other two images I took earlier, still using the iPad camera, but from within the native camera app, so at least they're framed better.)

08 January 2014

Things Accomplished This Week

I'm afraid this week's post isn't going to be very exciting. Just a list of stuff I wrote and published this week. I'll probably, eventually, do a separate weekly update post at the end of the week and put up something more interesting on Wednesdays. But I'm lacking in sleep this week, so this is all you get.


I've also thumbnailed and pencilled the next four pages of Fey, but haven't quite managed to get them inked yet.

I've also been reading a lot, and I'm thinking of keeping track of what I've read again in a new 50 Books challenge. Except since I know I'm going to read more than 50 YA books this year, on account of work, I'll aim for 50 YA books, 50 adult fiction, 50 non-fiction, and 50 graphic novels. That's only a little more than I've managed in previous years. Sure, maybe it will be too much, but I'm more curious about how many I'll get to than in actually hitting the goal.

So, here's what I've read so far:

YA Books

  1. See Jane Run by Hannah Jayne
  2. Witch Finder by Ruth Warburton


Non-Fiction

  1. Artists on Comics Art edited by Mark Salisbury
  2. Invaders from the North: How Canada Conquered the Comic Book Universe by John Bell
Graphic Novels

  1. The Tomorrow Girl and Other Stories by Aaron Diaz (aka Dresden Codak)
  2. The Replacement God by Zander Cannon
Hunh. Six books in one week. That's kind of a lot.

And that's it for now. I'll try for something more exciting next week.

01 January 2014

Goals and Such

I don't really like New Year's resolutions. I always figure if you want to do something, resolve to do it right there and then. Don't save up all your promises-of-things-you'll-do for one big day. That seems like a recipe for failure to me (though there can be success in failure, too). However, this arbitrary counting of time we call a year (OK, not entirely arbitrary, but how many people really think about what it is we base the length of a year on?) can be useful for stopping to take stock.

Last year, I didn't do as well as I hoped with my goals. I had planned to have a lot more writing done and available for people to read, but I got derailed pretty early on, and I'm not even sure why. I did manage to write (or finish) three novels (two shortish YAs and one somewhat longer adult novel), so really that's not so bad. And I drew some dragons, made some books, got a die-cutter and expanded my card-making repertoire.

But this year, I'm not going to focus on what I didn't get done last year. Well, I am, sort of, but not really. Actually, I'm going to work on some much older things in addition to trying to write more new things.

Old Things to Work On

(Note that I didn't say "Old Things to Finish." I hope to finish them, but if I don't, that's OK. At least I will have more done than I did before).

This Blog. I'm going to aim for a regular weekly post again this year. This is the first one. I won't give myself any soft of word count goal. Just one post a week, even if it's just a picture or a favourite quote.

My Comic. A million years ago, I started an urban fantasy comic -- a webcomic in the sense that I intended to first make it available on the web, though except for lettering, it's all drawn the old-fashioned way and ultimately I want it in print. I worked on it off and on over the years, a little here, a little there. It takes me a really really long time to draw.


Then, in 2004, just before I moved to Nova Scotia, I decided to re-draw everything I had already done to fix it. And I did. Every week a new page, and I even kept going after I finished re-drawing. I made it to the middle of issue 3 (around 50-something pages) and then, for reasons I no longer recall, I stopped. I even still had a few more pages planned out.

So now, ten years later, I'm going to have another go at it. I still love my characters, and it's still a story I want to get to the end of. But I'm not going to re-draw it again, even though it's old art and I might be able to draw it better (and looking back, I really shouldn't have bothered re-drawing it last time; I should have put the energy into making new pages). If I still have all my old files, and I can figure out WordPress well enough to make it do what I need, I might even have the first page up today. I'm going to start from the very beginning, one page a week to start, and while old pages are going up, I'll work on new ones. We'll see how far I get this time. I'd like to at least get to the end of the current storyline.

My Serials. I've have two serial novels on JukePop Serials, both of which have been neglected, due to the mysterious derailment of 2013. One of them -- the one I write as Calliope Strange -- is actually finished. I just haven't posted it all. For that one, I'll put up at least one chapter a week until it's done. The other one, Reindeer Girl, is not finished, but it will be. It was meant to be a way of finishing a book I started a while back, and a way to get me writing regularly. It can still be those things. Maybe I'll manage once a week, but if I can at least get going on it again, however slowly, I'll be pleased.


Other. I'm sure there are other old things I'll revisit through the year, but for now, these will do.

New Things Ahead

Dragons. This isn't entirely new, of course, as it's something I started working on on 2013, but this year I want to make it a major focus. A couple of days ago, I made a Scrivener file for it so I can start working on the text, and yesterday I had another stab at a dragon illustration that's been kicking my butt. I still didn't get it, but I got closer. This is my fun thing, the thing I'm making entirely for myself, but I'll share it, and maybe others will like it, too.


Fiction. There are always too many novels in my head, but this year I'd like to see if I can write one or two more Others novels (as Nic Silver). There are two more I know I need to write for sure. One is what happens to Evgeny while Su is in Germany, and the other is the continuation of Su's quest to find out what happened to her little sister. Also, I'd like to get working on the next Kentaurs novel, which I had intended to write over the summer. And eventually, though perhaps not this year, we'll have to find out what the heck is going to happen to Dubhghall and Maddy after the events of Dark Stranger.

Publishing. I need to get White Raven Press back on track, starting with a new website. I have a handful of novels and collections to get into print, and one to put up digital. Maybe two, but Deer Mouse is an experiment in submitting to a traditional publisher, so I'll have to wait till I hear back.

Painting. Last year I bought some exciting new art supplies, and promptly had no time to play with them. So this year, that's what I'll do. Play. Learn some things. I have a selection of casein paints, and I've already prepped a whole pile of boards to paint on. Maybe something will come of it, or maybe I'll just have fun. Either is good.

Craft. My goals here are just to keep on making stuff, and make more of an effort to market and get work into stores. I hope to do more hand-papermaking, so likely I'll have more cards printed on my own paper, and probably more linocuts rather than polymer letterpress. But again, we'll see how it goes. Also, I plan to play around with more 3D sculptures using die-cut elements. My first batch of dragons came out well, and were well-received. Also, they were great fun to design.


Photography. Some of you may know I studied photography (as well as printmaking, design, and book arts) in art school. I haven't done a lot of photo recently, asked from snaps to sort of visually journal things I see. I have some ideas for projects tumbling around in my head, but I just upgraded my iPhone, and I got a set of Olloclip macro lenses for Christmas (I had their 3-in-1 macro/wide angle/fish eye for my old phone, and will probably pick up the one for my current phone eventually), so I think I'm going to focus on shooting iPhone pictures. No pressure on myself to make great pictures, just something fun. And if they start turning out well, maybe I'll get more serious.


More…

I'm sure there were more things I was going to say, but I've gone on way longer than I meant to, so I'll stop. Basically, I plan to have fun this year, and finish more things -- some old, some new. The only way I can fail is if I stop writing/drawing/crafting completely, and that's pretty unlikely.

23 November 2013

Fairy Book: Brown and Grey

Here's the last of the batch of fairy books I made recently. I had originally been working on the green one I posted yesterday to keep for myself, but this one turned out so well, I think I'll keep it instead.


There was one more, but the leather I chose was quite thick, and too soft to easily pare down as much as I needed for these tiny books (I could have done it, but it would have taken way longer than it was worth). So I've set that last book aside and I'll finish it when I get to work on another project that involves paring leather.

22 November 2013

Fairy Books: Darker Blue and Green

A couple more fairy books. If you're interested in one, let me know. I'm going to offer them at a big discount from now until the craft fair next weekend.


I think regular price will be somewhere around $50 (Can/USD), which is still a pretty good deal considering how much work goes into them (I'll have a post up in a few days showing the whole process). But from now until Friday, November 29, 2013, they'll be $25 plus shipping.


Or, if you make miniature books, maybe we can do a trade.